It may be a romantic view, but it is nevertheless a very appealing one.
A gentle rhyme scheme and a palette that brings to mind folk art shape a nostalgic and rather sentimental view of the holiday.
The narrator is one of the small boys of the featured household, and he, with his red hair and russet waistcoat, is in every frame. Each family member has a task. Daddy fills the wood stove, Mama prepares the turkey, Brother bastes it, Grandpa makes the cranberry sauce, and so on. All of the activity is related in an easy, pleasing rhyme. “Sister, knead the rising dough. / Punch it down, then watch it grow. / Line your loaves up in a row. / Sister, knead the dough.” The narrator assists wherever he can, though he needs Grandpa to hold him up to stir the berries, and it is his idea to make Pilgrim hats for place mats. While the clothing and kitchen items evoke the Victorian era, this is meant more as memory or imagination than history. One might quibble that a family this well-to-do would probably have had servants doing much of the cooking, that the menfolk would very likely have left the cooking duties to the women, and that the dog and cat who also figure in most of the scenes might not have gotten along quite so well (or been so present in the kitchen).
It may be a romantic view, but it is nevertheless a very appealing one. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-307-98182-0
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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