The spree of period murders, capped by a welcome surprise, provides the perfect backdrop for debates about gender politics.
An unusually violent and methodical killer terrorizes 1866 London in McDonough’s debut.
D.I. Richard Tennant has just received evidence that Franz Meyer, a tailor hanged two years ago, may not have been the Railway Murderer after all, and he’s in no mood for another round of serial homicide. Unfortunately, that’s exactly what the murder of Rev. Tobias Atwater, found dead and castrated inside a sewer pipe, kicks off. As if he and his sergeant, Jonathan Graves, hadn’t troubles enough, Dr. Andrew Lewis, the doctor he’d asked to examine the body, has been laid low by heart disease and has sent his granddaughter instead. Julia Lewis is a fully qualified physician, but she took her medical degree in far-off Philadelphia, and she’s a female who has no business climbing around filthy places examining corpses. Predictably, Julia turns out to be filled with a wide range of progressive attitudes that would make her right at home in the 21st century, and predictably, her sparring with Tennant gradually develops into something more complicated, even though Julia tells her aristocratic great-aunt that “marriage with him would not be a companionable union of equals.” But McDonough keeps the pace brisk as the body count rises, each corpse physically violated, each discovered with a balloon, amid a series of increasingly disturbing revelations about the calamitous effects of the cholera outbreak that began back in 1832 and has returned repeatedly with a vengeance—just like the malefactor whom cheeky Illustrated London News reporter Johnny Osborne prematurely dubs “the music-hall murderer.”
The spree of period murders, capped by a welcome surprise, provides the perfect backdrop for debates about gender politics.Pub Date: Feb. 20, 2024
ISBN: 9781496746368
Page Count: 336
Publisher: Kensington
Review Posted Online: Nov. 15, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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