A moving, eloquent assortment of personal writings from the diaries of contemporary black women, collected by Bell-Scott (coeditor: Doublestitch: Black Women Write About Mothers and Daughters, 1991—not reviewed) and including excerpts from Alice Walker, Audrey Lorde, Rita Dove, Jamaica Kincaid, and others, as well as selections from lesser-known, unpublished writers. As much about the black woman's struggle to claim a place in a racist, sexist world as about the personal history of each individual writer, the entries here include reflections on everything from abortion to apartheid. The 49 contributors range in age from a nine-year-old Nigerian to a 64-year-old retired African-American telephone operator: all narrate, with stunning candor, the stories of their lives—stories that often include episodes of childhood sexual abuse, struggles with poverty and racism, and battles with cancer. The anthology is dedicated to lesbian poet/activist Audrey Lorde, who died in 1992 and whose cancer journals are among the most arresting here. Intimate, impassioned, often heartbreaking: for general readers as well as to students of African-American literature. Reading through it is immensely rewarding—like having an hourlong, tell-all phone conversation with a close friend.
Pub Date: Feb. 1, 1994
ISBN: 0-393-03593-X
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1993
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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