by Patricia Bosworth ‧ RELEASE DATE: Aug. 30, 2011
Reading to savor.
Distinguished celebrity biographer and Vanity Fair contributing editor Bosworth (Marlon Brando, 2001, etc.) recounts the life story of an American icon in all its heady—and at times, unabashedly scandalous—glory.
Ten years in the making, the book is based in exhaustive and meticulous research as well as a friendship the author began with Fonda in the late 1960s when they were both students studying at the Actors Studio in New York. Bosworth divides Fonda’s life into five distinctive stages, naming each after the “archetype” Fonda embodied during those phases: daughter, actress, movie star/sex symbol, political activist and workout guru/tycoon wife. With consummate skill and insight, the author follows Fonda through a childhood that included tortured relationships with an emotionally unavailable father, Henry Fonda, and a troubled mother who committed suicide at age 42. As young adult, Fonda’s dynamism drove her toward defining herself as an actress-artist (rather than her father’s actress daughter). At the same time, a need for quasi-paternal control caused her to fall into Svengali-like relationships with men—most notably, director Roger Vadim and activist Tom Hayden. In the early ’70s, Fonda’s rebelliousness caused her to move toward the political left and speak out against the Vietnam War. As a way to help fund Hayden’s political ambitions, Fonda began a workout studio in the ’80s that evolved into a multimillion-dollar industry. No longer the sexpot, she was now an Academy Award–winning feminist-actress who took pride in “empowering women to be in charge of their bodies.” Bosworth’s coverage of Fonda’s apparent backslide into the Stepford-esque wife of media tycoon Ted Turner is not nearly as in-depth as that she gives to the other phases of her colorfully tumultuous history. But this does not take away from her total effort, which is as epic as the life she chronicles.
Reading to savor.Pub Date: Aug. 30, 2011
ISBN: 978-0-547-15257-8
Page Count: 608
Publisher: Houghton Mifflin Harcourt
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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