The second book of the Clone Codes (Clone Codes, 2010) focuses on Houston Ye, the teen cyborg who helped the clone Leanna escape the government forces seeking her in fulfillment of its policy of discrimination against any deemed not completely human. Houston’s life was saved by technology, but his nonhuman status resulted in abandonment by his family. Now he finds himself on a hijacked spaceship with Leanna and a boy genius heading for the Moon to look for the protection of his guardian, another cyborg, who had been a friend of his father. The Moon, away from the attention of the Federation, has become a place where Firsts (fully human), cyborgs and clones can get along. The Federation decides to clamp down further on cyborgs, triggering a wave of protests modeled on the Civil Rights movement. The McKissacks continue to successfully draw parallels between a futuristic world that tries to control those considered different and historic racial struggles. The characters are drawn without much complexity, but the worldbuilding is intriguing, there is plenty of action and ethnic diversity in a science-fiction tale is welcome. (Science fiction. 12 & up)
Pub Date: Feb. 1, 2011
ISBN: 978-0-439-92985-1
Page Count: 144
Publisher: Scholastic
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
BOOK REVIEW
BOOK REVIEW
Opening episodes of a comic-book series created by an American teacher in Japan take a leap into chapter-book format, with only partial success. Resembling—in occasional illustrations—a button-eyed, juvenile Olive Oyl, Akiko, 10, is persuaded by a pair of aliens named Bip and Bop to climb out her high-rise bedroom’s window for a trip to M&M-shaped Planet Smoo, where Prince Fropstoppit has been kidnapped by widely feared villainness Alia Rellaport. Along with an assortment of contentious sidekicks, including brainy Mr. Beeba, Akiko battles Sky Pirates and video-game-style monsters in prolonged scenes of cartoony violence, displaying resilience, courage, and leadership ability, but not getting very far in her rescue attempt; in fact, the story cuts off so abruptly, with so little of the quest completed, and at a lull in the action to boot, that readers expecting a self-contained (forget complete) story are likely to feel cheated. (Fiction. 10-12)
Pub Date: Feb. 8, 2000
ISBN: 0-385-32724-2
Page Count: 162
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This first fantastic installment of the His Dark Materials trilogy propels readers along with horror and high adventure, a...
Pullman (The Tin Princess, 1994, etc.) returns to the familiar territory of Victorian England, but this time inhabits an alternate Earth, where magic is an ordinary fact of life.
Lyra Belacqua and her daemon familiar Pantalaimon spend their days teasing the scholars of Jordan College until her uncle, Lord Asriel, announces that he's learned of astonishing events taking place in the far north involving the aurora borealis. When Lyra rescues Asriel from an attempt on his life, it is only the beginning of a torrent of events that finds Lyra willingly abducted by the velvet Mrs. Coulter, a missionary of pediatric atrocities; a journey with gyptian clansmen to rescue the children who are destined to be severed from their daemons (an act that is clearly hideous); and Lyra's discovery of her unusual powers and destiny. Lyra may suffer from excessive spunk, but she is thorough, intelligent, and charming. The author's care in recreating Victorian speech affectations never hinders the action; copious amounts of gore will not dissuade the squeamish, for resonating at the story's center is the twinkling image of a celestial city.
This first fantastic installment of the His Dark Materials trilogy propels readers along with horror and high adventure, a shattering tale that begins with a promise and delivers an entire universe. (Fiction. 12+)Pub Date: April 1, 1996
ISBN: 978-0-679-87942-4
Page Count: 397
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
SEEN & HEARD
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