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THE MURDER OF HELEN JEWETT

THE LIFE AND DEATH OF A PROSTITUTE IN NINETEENTH-CENTURY NEW YORK

An admirable if not always compelling exploration of a once-sensational murder and trial that recall our recent obsession with the Simpson case. Cohen (History/Univ. of Calif., Santa Barbara) begins with the discovery of the body of 23-year-old Jewett in a New York brothel fire set to reduce her hatcheted remains to rubble. Cohen’s massive research reveals that the woman known as Helen Jewett was a onetime Maine servant girl named Dorcas Doyen, placed from youth in the service of a prominent judge’s family. By age 19, Dorcas had left Maine and was an experienced “girl on the town,” part of a bustling, “not illegal” trade engaging, by one —alarmist estimate,— as many as one in seven women in 1830s New York. Between assignations, Jewett romanced partners through letters, some of which (quoted in the book’s most engaging chapter) were written to her killer. Richard Robinson, an innocent-looking New York clerk of good breeding who confided to his diary his irresistibility to women and maniacal leanings, was that partner. For several months they romanced; his infidelity ended the affair. Shortly afterward, Jewett was killed. Police retrieved evidence and arrested Robinson. But during the trial, Robinson’s top-flight lawyers savaged Jewett’s character, impugned prosecution witnesses, established a tight-enough alibi, and posited a theory of the “true” killer. Robinson was acquitted, years of press uproar ensued over the travesty of “the great unhung,” and Robinson’s lawyer gained “imperishable celebrity and never-dying fame.” Would that the book were as exciting as the story. But it isn—t, partly because of Cohen’s academic style, in which context impedes narrative, and partly because the author’s clear, well-organized prose informs but doesn—t transport. Enlivened by epistolary amours and detective-like research revelations, yet still a sluggish rendition of a resonant tale. (16 pages b&w photos, not seen)

Pub Date: Aug. 11, 1998

ISBN: 0-679-41291-3

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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