by Patricia Hegarty ; illustrated by Hanako Clulow ‧ RELEASE DATE: June 1, 2016
Artistry trumps technology in this introduction to fish migration and the variegated beauty on our rivers' banks.
A glimmering fish travels downriver, descending snowy mountains, rushing past lush woods and wide meadows, and out to the open sea, wriggling alongside changing flora and fauna all the while.
This fishy flips and flops throughout, swimming thanks to lenticular technology. She appears as a wriggling hologram within a die-cut hole that allows her to surface midstream on each page, surrounded by a new habitat. Tilting the book, angling it to quicken or slow the fish's pace, makes her journey interactive and engaging, particularly to young readers used to visual bells and whistles. While the fish's lifelike movements and holographic glossiness appeal, they also distract (and perhaps detract) from the accompanying wildlife scenes. These soft, matte illustrations don't jive with the flashy fish but rather offer varied painterly textures, detailed fur and feathers, and evolving landscapes. Tracking the new animals and the subtle changes in their environments emerges as much more enjoyable than the endless loop of a leaping fish. Simple rhymes pull readers down the river and finally out to sea, where the fish finds her glistening, golden fish family.
Artistry trumps technology in this introduction to fish migration and the variegated beauty on our rivers' banks. (Picture book. 2-6)Pub Date: June 1, 2016
ISBN: 978-1-84857-481-6
Page Count: 24
Publisher: Kane Miller
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
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by Sam McBratney ; illustrated by Anita Jeram ‧ RELEASE DATE: Sept. 13, 2011
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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by Tim McCanna ; illustrated by Aimée Sicuro ‧ RELEASE DATE: Feb. 18, 2020
Like its subject: full of bustling life yet peaceful.
Life buzzes in a community garden.
Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.
Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)Pub Date: Feb. 18, 2020
ISBN: 978-1-5344-1797-7
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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