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CAT TALK

Though published for the preschool audience, this will no doubt find enthusiastic fans of all ages.

As they did previously for dogs (Once I Ate a Pie, illustrated by Katy Schneider, 2006), MacLachlan and Charest give voice to a collection of charming pets beautifully rendered by veteran illustrator Moser.

In 13 poems, each on a double-page spread, 16 cats (and one mouse) are lovingly described. Cat fanciers will immediately recognize the personalities of these particular pussycats. From the straightforward revelation of the delightfully outsized ego of Princess Sheba Darling, who declares “I love me,” to affectionate Romeo’s embrace of everyone and everything, to the wary, unwilling domestication of torn-eared Tough Tom, the poems speak in the cats’ voices. That they also manage with only a few words to create specific situations, sometimes even including a bit of a back story, is what makes these poems true portraits rather than the cute caricatures that sometimes inhabit collections like this one. Moser’s watercolor illustrations, of course, contribute significantly to the overall quality. Majestic, maternal, suspicious, playful or placid, each cat is pictured in a pose and setting that reflect and illuminate the text. Tuck’s toes and tail peek out from the covers beside two pairs of bare feet. Alice balances on the edge of the bathtub. Minnie slips through the night, almost invisible.

Though published for the preschool audience, this will no doubt find enthusiastic fans of all ages. (Picture book. 4 & up)

Pub Date: March 1, 2013

ISBN: 978-0-06-027978-3

Page Count: 32

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Jan. 27, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE ONE AND ONLY IVAN

From the One and Only series , Vol. 1

Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new...

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How Ivan confronts his harrowing past yet stays true to his nature exemplifies everything youngsters need to know about courage.

Living in a "domain" of glass, metal and cement at the Big Top Mall, Ivan sometimes forgets whether to act like a gorilla or a human—except Ivan does not think much of humans. He describes their behavior as frantic, whereas he is a peaceful artist. Fittingly, Ivan narrates his tale in short, image-rich sentences and acute, sometimes humorous, observations that are all the more heartbreaking for their simple delivery. His sorrow is palpable, but he stoically endures the cruelty of humans until Ruby the baby elephant is abused. In a pivotal scene, Ivan finally admits his domain is a cage, and rather than let Ruby live and die in grim circumstances, he promises to save her. In order to express his plea in a painting, Ivan must bravely face buried memories of the lush jungle, his family and their brutal murder, which is recounted in a brief, powerful chapter sure to arouse readers’ passions. In a compelling ending, the more challenging question Applegate poses is whether or not Ivan will remember what it was like to be a gorilla. Spot art captures poignant moments throughout.

Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new generation of advocates. (author’s note) (Fiction. 8-12)

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-199225-4

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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