A beautiful but minor effort from two immensely talented creators.
A parent-child pair observes the coming of night and the reactions of various (mostly domesticated) animals and their offspring.
MacLachlan uses a simple four-line rhyme scheme and intensifies the lulling quality of her text by starting the first six stanzas with the title sentence: “The moon’s almost here.” The lines that follow describe the animals settling down and/or heading home in their pastoral setting. As the moon begins to rise, the pattern of the rhyme stays the same (abcb), but the first line varies and the tone increases in intimacy. From “out in the meadow,” where "the fireflies blink bright," to “my bed,” where a little kitten curls up cozily, then back into the night to greet the moon, the voice becomes the child’s. DePaola’s acrylic paintings in his signature style depict the parent figure as a white-faced, pantomime Pierrot, accompanied by a ginger-haired, preschool-sized white child of indeterminate gender. Subtle shadings of color capture the magical changes brought on by the setting of the sun and the rising of the moon. Stylized shapes turn leaves and flowers into appealing patterns, while the white clothing of parent and child seems to glow against the darkening background. While the illustrations are undeniably lovely and the words flow smoothly and soothingly, however, overall this seems slight and somewhat predictable.
A beautiful but minor effort from two immensely talented creators. (Picture book. 3-6)Pub Date: June 7, 2016
ISBN: 978-1-4814-2062-4
Page Count: 32
Publisher: McElderry
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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