The paired lessons—of art as a crucial element in education and of the importance of recognizing different learning...

THE ART OF MISS CHEW

Art is a language, and the right teacher can change a life is the twin message of this personal story from the exuberant author/illustrator.

Polacco provides an unabashedly autobiographical account of a year in grammar school with the Irish Mr. Donovan, who understands that she needs additional time to work at written tests. He also introduces her to Miss Chew, an art teacher, and both immediately recognize Trisha's emerging talent—although the Chinese Miss Chew hears her name as “Ther-esa” and calls her that ever after. It is Miss Chew who discerns Trisha's talent at perceiving negative space and connects it to her difficulties in school: She sees words as patterns, not letters. When Mr. Donovan is called to Ireland upon the death of his father, the substitute will not allow Trisha extra time on exams and tries to keep her from art class. Right prevails—and Trisha gets to have a painting in the high-school art fair, even though she is so young. Polacco's pencil-and-marker art is full of color and movement, with its exaggerated figures and vibrant line. Her characters are always gesturing, caught in mid-sentence. Her first-person narration tells her tragedy and triumph in a very down-to-earth way, using the tone of the 11-year-old she was.

The paired lessons—of art as a crucial element in education and of the importance of recognizing different learning styles—come through clearly, leavened by Polacco's use of color and gesture. (Picture book. 6-10)

Pub Date: April 12, 2012

ISBN: 978-0-399-25703-2

Page Count: 40

Publisher: Putnam

Review Posted Online: Jan. 4, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 11, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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Fans both young and formerly young will be pleased—100 percent.

HORTON AND THE KWUGGERBUG AND MORE LOST STORIES

Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!

All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.

Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)

Pub Date: Sept. 9, 2014

ISBN: 978-0-385-38298-4

Page Count: 56

Publisher: Random House

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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