HOLES IN THE SKY

Trisha looks for signs from her grandmother in the sky but finds them closer than expected.

Trisha’s comfortably zaftig Russian grandmother tells her that stars are really “holes in the sky,” with the light of heaven gleaming through them. She says that she will be there soon but will watch over them, and she will send a sign to let them know. After Babushka dies, Trisha’s all-white family moves to the diverse city of Oakland, California, and Trisha becomes best friends with a black boy named Stewart. Stewart brings Trisha home to meet his grandmother Eula, a woman who cooks and gardens and whose shape echoes Babushka’s. Miss Eula mentions that Verna Bacci’s garden used to be the most beautiful on the block, before she lost her son in a terrible accident. The three of them decide to do something nice for Miss Verna, and the whole neighborhood pitches in. While Trisha has been searching the sky every night for a sign from Babushka, Miss Verna gets a sign from her son that they all can see. In the end, Miss Eula dabs vanilla behind Trisha’s ears just like Babushka used to, and Trisha realizes that her sign has been right in front of her. Polacco’s signature illustration style in sketched pencil and color emphasizes the relationships among people, just as the text celebrates the power of connection and the miracle of love in unexpected places.

Sweet and comforting. (Picture book. 5-10)

Pub Date: Sept. 11, 2018

ISBN: 978-1-5247-3948-5

Page Count: 48

Publisher: Putnam

Review Posted Online: June 25, 2018

Kirkus Reviews Issue: July 15, 2018

Did you like this book?

No Comments Yet

Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 8, 2021

Did you like this book?

No Comments Yet

This tale of self-acceptance and respect for one’s roots is breathtaking.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

EYES THAT KISS IN THE CORNERS

A young Chinese American girl sees more than the shape of her eyes.

In this circular tale, the unnamed narrator observes that some peers have “eyes like sapphire lagoons / with lashes like lace trim on ballgowns,” but her eyes are different. She “has eyes that kiss in the corners and glow like warm tea.” Author Ho’s lyrical narrative goes on to reveal how the girl’s eyes are like those of other women and girls in her family, expounding on how each pair of eyes looks and what they convey. Mama’s “eyes sparkl[e] like starlight,” telling the narrator, “I’m a miracle. / In those moments when she’s all mine.” Mama’s eyes, the girl observes, take after Amah’s. While she notes that her grandmother’s eyes “don’t work like they used to,” they are able to see “all the way into my heart” and tell her stories. Here, illustrator Ho’s spreads bloom with references to Chinese stories and landscapes. Amah’s eyes are like those of the narrator’s little sister. Mei-Mei’s eyes are filled with hope and with admiration for her sister. Illustrator Ho’s textured cartoons and clever use of light and shadow exude warmth and whimsy that match the evocative text. When the narrator comes to describe her own eyes and acknowledges the power they hold, she is posed against swirling patterns, figures, and swaths of breathtaking landscapes from Chinese culture. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 80.5% of actual size.)

This tale of self-acceptance and respect for one’s roots is breathtaking. (Picture book. 5-9)

Pub Date: Jan. 5, 2021

ISBN: 978-0-06-291562-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

Did you like this book?

No Comments Yet
more