PINK AND SAY

A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)

Pub Date: Sept. 15, 1994

ISBN: 0-399-22671-0

Page Count: 48

Publisher: Philomel

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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MORE THAN ANYTHING ELSE

An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)

Pub Date: Sept. 1, 1995

ISBN: 0-531-09464-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out?

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THE PRINCESS IN BLACK

From the Princess in Black series , Vol. 1

Perfect Princess Magnolia has a secret—her alter ego is the Princess in Black, a superhero figure who protects the kingdom!

When nosy Duchess Wigtower unexpectedly drops by Princess Magnolia’s castle, Magnolia must protect her secret identity from the duchess’s prying. But then Magnolia’s monster alarm, a glitter-stone ring, goes off. She must save the day, leaving the duchess unattended in her castle. After a costume change, the Princess in Black joins her steed, Blacky (public identity: Frimplepants the unicorn), to protect Duff the goat boy and his goats from a shaggy, blue, goat-eating monster. When the monster refuses to see reason, Magnolia fights him, using special moves like the “Sparkle Slam” and the “Twinkle Twinkle Little Smash.” The rounded, cartoony illustrations featuring chubby characters keep the fight sequence soft and comical. Watching the fight, Duff notices suspicious similarities between the Princess in Black and Magnolia—quickly dismissed as “a silly idea”—much like the duchess’s dismissal of some discovered black stockings as being simply dirty, as “princesses don’t wear black.” The gently ironic text will amuse readers (including adults reading the book aloud). The large print and illustrations expand the book to a longish-yet-manageable length, giving newly independent readers a sense of accomplishment. The ending hints at another hero, the Goat Avenger.

Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out? (Fantasy. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-0-7636-6510-4

Page Count: 96

Publisher: Candlewick

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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