by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: Sept. 1, 2003
Polacco sets her wildest romp yet around an actual “haunted house” in her Michigan hometown. The arrival of Doug and Shalleaux Graves, along with their children, brings on one brouhaha after another in staid Union City. Shortly after young neighbors Seth and Sara find their new neighbors’ house crawling with giant spiders and scary tropical plants, Mrs. Graves’s pet giant Venus flytrap breaks up a Ladies’ Garden Club Tea, and then Mr. Graves’s seemingly miraculous hair restorer, developed in his own basement lab, makes all of the town’s leading citizens behave like cats. Just as an angry mob arrives to give the Graves what-for, so too does TV Decorating Show host Christopher Joel, defusing the situation by rapturously declaring the Graves’s home winner of the Fall Home Show. Polacco gives Mrs. Graves Bride-of-Frankenstein hair, and places her customary cast of dismayed grownups and rangy, level-headed children atop backgrounds of writhing tendrils and floods of glop. Despite a rather quick and tidy resolution, this is sure to elicit delighted cries of “Eeeewwww!” from young audiences, at Halloween or any other time. (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-399-24034-9
Page Count: 48
Publisher: Philomel
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 2003
Categories: CHILDREN'S GENERAL CHILDREN'S | CHILDREN'S FAMILY
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by Patricia Polacco ; illustrated by Patricia Polacco
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by Patricia Polacco ; illustrated by Patricia Polacco
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by Patricia Polacco ; illustrated by Patricia Polacco
by Henry Winkler ; Lin Oliver ; illustrated by Scott Garrett ‧ RELEASE DATE: Feb. 14, 2014
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 11, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Henry Winkler & Lin Oliver ; illustrated by Ethan Nicolle
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by Henry Winkler & Lin Oliver
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by Henry Winkler & Lin Oliver ; illustrated by Ethan Nicolle
by Allen Say ; illustrated by Allen Say ‧ RELEASE DATE: April 1, 1999
In describing how his parents met, Say continues to explore the ways that differing cultures can harmonize; raised near San Francisco and known as May everywhere except at home, where she is Masako, the child who will grow up to be Say’s mother becomes a misfit when her family moves back to Japan. Rebelling against attempts to force her into the mold of a traditional Japanese woman, she leaves for Osaka, finds work as a department store translator, and meets Joseph, a Chinese businessman who not only speaks English, but prefers tea with milk and sugar, and persuades her that “home isn’t a place or a building that’s ready-made or waiting for you, in America or anywhere else.” Painted with characteristic control and restraint, Say’s illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman’s How My Parents Learned To Eat (1984), also illustrated by Say. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-395-90495-1
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 1, 1999
Categories: CHILDREN'S FAMILY
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