Giff’s rather wordy text about a little girl moving to a new room and a big bed may fail to keep young readers engaged, but Bryant’s watercolor-and–colored-pencil illustrations add a touch of sweet humor.
Patti Cake, dressed in a mix of pink and purple, is excited to get her very “own new room,” but when she goes to bed, the “greatly dark” space feels lonely. Unflappable babysitter Bella responds to this news with a trip to Mr. Herman’s Everything Store, where Patti Cake finds a doll with “frizzly hair and blush on one cheek.” When they get home, she discovers that the doll does not even have a belly button. A quick flick of a nail-polish brush seems to do the trick. Readers can foresee what happens next. The nail-polish spills; Patti Cake arouses Tootsie the dog from her nap in the bathtub; Tootsie tracks nail-polish paw prints all over. The spread with a close-up of the alarmed pup charms. After yet more mishaps, it is finally bedtime, and Patti Cake, the doll and Tootsie curl up in the no-longer-lonely room. Giff’s text both runs long and strains too hard to achieve a toddler voice; Patti Cake’s too-cute, declarative narration grows wearisome.
Books on moving to a bigger bed abound; this title does little to set itself apart. (Picture book. 3-5)Pub Date: Jan. 1, 2014
ISBN: 978-0-545-24465-7
Page Count: 32
Publisher: Orchard/Scholastic
Review Posted Online: Nov. 13, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Categories: CHILDREN'S SOCIAL THEMES
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Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 19, 2014
Kirkus Reviews Issue: June 1, 2014
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You may know the Easter Bunny, but get ready to meet Peter Easter Frog!
Peter loves Easter, and he’s not going to let the fact that he’s a frog and not a bunny stop him, especially when he’s so good at hopping! He looks absolutely delighted to be hopping around delivering Easter eggs. As he hops along, so does a repeated refrain, which always begins with two words ending with “-ity” coupled with “Easter’s on its—” (“Squishity, squashity, Easter’s on its—”; “Yippity, yappity, Easter’s on its—”); each page turn playfully upends the expected conclusion of the line. Karas’ cheery art portrays a growing array of animals: a turtle decked out in lipstick and a spiffy Easter bonnet, a cow with flower choker necklace, and a sheepdog and a chipmunk sans finery. As Peter gives out colorful, patterned Easter eggs to the other animals, they are, at first, shocked to see an Easter frog but soon join him in his charitable mission to spread Easter cheer. The moment when the cow responds to the dog’s challenge that she is not a cow-bunny by pointing out its own breed as a “sheepdog” may elicit laughs, especially from adult readers. When the group finally meets the real Easter Bunny—hilariously, at the end of a dark tunnel—it seems that things may go awry, but all ends hoppily, happily, and inclusively. The text does not use dialogue tags, instead setting narration and dialogue in separate, distinctive typefaces; unfortunately, this design is not consistently applied, which may confuse readers. (This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 26.8% of actual size.)
Charming Easter fun. (Picture book. 3-5)Pub Date: Jan. 19, 2021
ISBN: 978-1-4814-6489-5
Page Count: 32
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Jan. 13, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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