by Patricia Sandberg ‧ RELEASE DATE: N/A
An impressive work of scholarship that illuminates an important part of Canada’s past.
In her debut nonfiction work, Sandberg, a former attorney who worked for mining companies, tells the history of a Canadian mining town by combining personal reflections with scholarly research.
Gunnar Mines produced its first ore in 1955 on Lake Athabasca in northern Saskatchewan, and until the early ’60s, it helped supply the United States with the uranium it needed for nuclear weapons. During its brief existence, the town of Gunnar welcomed immigrants from all over Europe. (According to one census, Sandberg says, more than 30 nationalities were represented in the town.) Life could be difficult in such a cold, isolated place, but despite the challenges—or perhaps because of them—a remarkably strong community developed. Having spent her early childhood in Gunnar, the author has firsthand knowledge of this community. She reflects fondly on her time there, as do many other former residents interviewed here. Together, their recollections create a vibrant portrait of life in a flourishing mining town. But Sandberg’s book is more than a collaborative memoir—it’s also a comprehensive work of history that places Gunnar in a larger context. Beginning with an account of the discovery of radium at Great Bear Lake, Sandberg goes on to discuss the early days of mining in Canada, the demand for uranium during the nuclear arms race, the Canadian government’s eagerness to exploit its radioactive resources, the difficulties of building and running a mine, and, finally, the dismantling of Gunnar and the long-term effects that mining has had on the environment. Her research is exceptionally thorough, as can be seen in the 186 endnotes that accompany the text. This amount of detail can make for tedious reading at times, but on the whole, the book is written in a clear, conversational style. By deftly blending objective analysis with subjective observations, Sandberg succeeds in creating a serious historical study that also serves as a poignant tribute to a lost way of life. The subject matter may not appeal to a wide readership, but anyone with an interest in Canadian history will likely find something to enjoy in these pages.
An impressive work of scholarship that illuminates an important part of Canada’s past.Pub Date: N/A
ISBN: 978-0-9952023-0-6
Page Count: 258
Publisher: Crackingstone Press
Review Posted Online: Sept. 11, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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