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DINNER WITH PERSEPHONE

TRAVELS IN GREECE

Poet and essayist Storace creates a lively, richly textured, anecdotal synthesis of the glorious—and inglorious—modern Greece. Fending off aggressive Greek men, negotiating with near-comic bureaucracies, visiting the spectacular Greek islands, Storace insinuates herself into quotidian Grecian life—all the while recording a wryly perceptive impression of the land of constant disputation and anomaly. She finds a people who speak of Alexander the Great in the present tense and who blame Coca-Cola for stealing the Olympic Games. Distressing for Storace is the pervasive subordination of women (TV programs, she notes, frequently feature knocking women about as a prelude to love-making); yet the society is also one of maternal worship, and Storace encounters a surprising tolerance for transvestism. Beyond its sexual contradictions, however, Storace perceives a counterintuitive cultural layering, a people whose seemingly conflicting Classical, Roman, Byzantine, and Ottoman influences survive in unremarked combination. (Writing of the language from hymns heard at a Lenten ceremony honoring the Virgin: ``Like Persephone, Mary is a divine bride, like the Demeter of the Orphic hymns, she is . . . the divine nursing mother . . . like Hecate, Athena and Tyche, she is the defender of a city.'') Added to this book's wide breadth of history, philosophy, and language are intimately drawn portraits of the countryside and its inhabitants. Storace cruises to the islands of myth, such as Andros and Naxos; visits cemeteries with life-size stone tableaux; attends a lavish wedding (noting that she can never be married in the Greek sense, the word for ``marriage'' being pandremeni, or ``to be under a man''); and hikes into the northern province of Epirus, made famous by Lord Byron, where she finds ``the countryside is crystalline, the trees full of language in the form of muttering bees.'' This is not a book to be quickly devoured, demanding instead reflection and appreciation, but the payoff, in its lush prose, wealth of history, and sly commentary, is well worth it.

Pub Date: Oct. 25, 1996

ISBN: 0-679-42134-3

Page Count: 400

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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