A curtain call for Veryan's Sanguinet series (Sanguinet's Crown, 1985, etc.), which, like her Golden Chronicles and Jeweled Man sagas, are Georgian/Regency-period adventures with various dastardly groups threatening to subvert the English government. Here, a battle-scarred, oddly magnetic veteran of the Sanguinet conflicts arrives in the country to outwit enemies and win a lady. Marietta Washington and elder sister Fanny are pretty, sharp-witted, but impoverished, thanks to the gambling forays of their weak but goodhearted widower father, Sir Lionel. Also at home, in addition to younger brother Arthur, is Aunt Dova, an eerie but lovable bird who converses with lifelike dolls and, in disguise, tells fortunes, having been blessed with ``A Mystical Window Through Time.'' The Warrington house is part of the estate of Lanterns, owned by the ever-absent Lord Temple, and is rumored to be haunted and to contain a fabled, priceless jewel, ``The Sigh of Saladin.'' Suddenly arriving to camp out in Lanterns is the polite but evasive Diecon, a retired Major who becomes Arthur's idol. Marietta, puzzled, is drawn to Diecon—but is he really just a free-spirited ex-soldier? What explains his brilliance at the violin? Meanwhile, Marietta is courted by the handsome, supposedly wealthy Blake, whose relationship to Diecon, when revealed, makes for an unpleasant surprise. Before Diecon's real identity is revealed and Blake vanquished, Diecon and Marietta deal with the tragedy of Marietta's brother Eric, involved in treason; Diecon's friend Joselyn courts Fanny; and there is a return of the terrifying Sanguinet mob (Claude S., the leader, is now deceased) involving a kidnapping and a grand showdown in Lanterns. The villains are vanquished, the Sigh of Saladin makes an appearance, and true lovers are united. Reliable Veryan, mixing romance, humor, light mystery, and a satisfyingly noisy finish with just enough touches of period diction and mores to add the right Regency flavor.
Pub Date: Oct. 1, 1996
ISBN: 0-312-14640-X
Page Count: 352
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lincoln Rhyme, the quadriplegic criminalist of The Bone Collector (1997), returns to confront the uncannily resourceful killer who’s been hired to eliminate three witnesses in the last hours before their grand jury testimony. The first witness is no challenge for the Coffin Dancer, so dubbed after his distinctive tattoo: He simply plants a bomb on Hudson Air pilot/vice-president Edward Carney’s flight to Chicago and waits for the TV news. But Ed’s murder alerts the two other witnesses against millionaire entrepreneur-cum-weapons-stealer Phillip Hansen, and also alerts the NYPD and the FBI that both those witnesses—Ed’s widow, Hudson Air president Percey Clay, and her old friend and fellow-pilot Brit Hale—are on the hot seat. With 45 hours left before they’re scheduled to testify against Hansen, they bring Rhyme and his eyes and ears, New York cop Amelia Sachs, into the case. Their job: to gather enough information about the Coffin Dancer from trace evidence at the crime scene (for a start, scrapings from the tires of the emergency vehicles that responded to the Chicago crash) to nail him, or at least to predict his next move and head him off. The resulting game of cat and mouse is even more far-fetched than in The Bone Collector—both Rhyme and the Dancer are constantly subject to unbelievably timely hunches and brain waves that keep their deadly shuttlecock in play down to the wire—but just as grueling, as the Dancer keeps on inching closer to his targets by killing bystanders whose death scenes in turn provide Rhyme and Sachs with new, ever more precise evidence against him. Fair warning to newcomers: Author Deaver is just as cunning and deceptive as his killer; don’t assume he’s run out of tricks until you’ve run out of pages. For forensics buffs: Patricia Cornwell attached to a time bomb. For everybody else: irresistibly overheated melodrama, with more twists than Chubby Checker. (First printing of 100,000; Literary Guild main selection)
Pub Date: Aug. 1, 1998
ISBN: 0-684-85285-3
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
Twenty New England horror shorts by Stephen King (and a painfully lofty introduction by old pro John D. MacDonald). King, of course, is the 30-year-old zillionaire who poured the pig's blood on Carrie, woke the living dead in 'Salem's Lot, and gave a bad name to precognition in The Shining. The present collection rounds up his magazine pieces, mainly from Cavalier, and also offers nine stories not previously published. He is as effective in the horror vignette as in the novel. His big opening tale, "Jerusalem's Lot"—about a deserted village—is obviously his first shot at 'Salem's Lot and, in its dependence on a gigantic worm out of Poe and Lovecraft, it misses the novel's gorged frenzy of Vampireville. But most of the other tales go straight through you like rats' fangs. "Graveyard Shift" is about cleaning out a long unused factory basement that has a subbasement—a hideous colony of fat giant blind legless rats that are mutating into bats. It's a story you may wish you hadn't read. You'll enjoy the laundry mangle that becomes possessed and begins pressing people into bedsheets (don't think about that too much), a flu bug that destroys mankind and leaves only a beach blanket party of teenagers ("Night Surf"), and a beautiful lady vampire and her seven-year-old daughter abroad in a Maine blizzard ("One for the Road"). Bizarre dripperies, straight out of Tales from the Crypt comics. . . a leprous distillation.
Pub Date: Jan. 20, 1977
ISBN: 0385129912
Page Count: 367
Publisher: N/A
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1977
BOOK TO SCREEN
Stephen King’s “Jerusalem’s Lot” to Be Epix Show
BOOK TO SCREEN
BOOK TO SCREEN
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