Worth waiting in line for, if you’re a Hill fan. If you’re not, this is the book to turn you into one.

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STRANGE WEATHER

Horrormeister Hill (The Fireman, 2016) offers a four-pack of mayhem in this sparkling collection of short novels.

Think climate change is bad now? Just wait until those obsidian-sharp blades of rain cut you to pieces come the next storm. Hill, son of Stephen King, has his father’s eye for those climacteric moments when the ordinary turns into the extraordinary—and the sinister to boot. In Rain, a warm Colorado day turns nasty when silver and gold needles begin to pour down. Hill’s narrator, ever the helpful neighbor, watches as they rip a woman to shreds: “Her crinkly silver gown was jerked this way and that on her body, as if invisible dogs were fighting over it.” Memorable but icky, that. In such circumstances, you can bet that the ordinary norms don’t hold; give humans an emergency dire enough, and civil society collapses, presto! So it is in Loaded when a Florida shopping mall becomes the playground of a shooter unusual in more ways than one; what gives the story, which is altogether too probable, creepy luster is the dancing cyclonic firestorm that’s heading toward the mall, which may have been what prompted the security-guard protagonist of the tale to add to the death count without the intercession of any apparent conscience. Hill squeezes in some nice pop-culture references along the way, including one to a namesake: “Finally the kid who looked like Jonah Hill had entered the shop, and the shooter, with her dying breath, had put a bullet in his fat, foolish face.” Icky again—as it should be for a horror honcho. In homage to "The Illustrated Man," perhaps, in Snapshot Hill imagines an ancient mariner sort of psychopath whose Phoenician-script tats invite onlookers to run away but instead lure them in, the easier for him to tinker with their memories, while Aloft is a pitch-perfect fable that blends Ted Chiang and Aristophanes into an eerie delight.

Worth waiting in line for, if you’re a Hill fan. If you’re not, this is the book to turn you into one.

Pub Date: Oct. 24, 2017

ISBN: 978-0-06-266311-5

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

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THE LAST TRIAL

Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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