This unique hero takes the story to dangerous places, both in England and abroad.
A gay English youth comes of age in the 1960s in Nochtree’s novel.
England, 1961: Mark Martin is a teenager who lives with his mother. Mark’s current situation is summed up thusly: “He hated his life, he hated the flat, he hated this city, he hated his school, he hated his mother. He hated himself.” Mark is attracted to other boys; considering the laws and social norms of the time, he does not exactly go around announcing this. One day, while in town, he learns of a local pub where gay men hang out called The Vault. When Mark is offered a fiver there for sex, he accepts. (Five pounds is a lot of money in his world and he enjoys the sex, so why not?) Mark winds up doing this regularly and becomes attached to one of the patrons, who goes by the name Pip. He also gets a part-time job at the nearby Frank’s Fish’n’Chips. (Frank’s does not pay as much as sex work, but it gives Mark a cover for his newfound income.) Through Frank’s, he meets a boy named Tommy, and Tommy and Mark become secret boyfriends. Eventually, Pip gets Mark a job at the car dealership that he runs. Pip and Mark form their own lasting relationship. As Mark manages to balance school, Tommy, Pip, and the occasional inquiries of his mother, things seem to be going well. But disaster soon strikes: After an incident with another rent boy, Mark sees no other option but to flee the country with Pip.
Mark is hardly the typical hero for a narrative that, in the second half of the book, morphs into something of an adventure story as he ventures far from home with a man who may or may not be trustworthy (though it is established early on that Pip is involved with business somewhere around Indonesia, the nature of this business is kept a secret). The first half of the story is chock-full of inviting tension—most of this comes from Mark’s chosen profession. How long can he keep up the life of a secret sex worker? But as sticky as Mark’s problems are, the story does have its share of dull moments. Mark puts out a fire at Frank’s before it can spread and destroy the whole building; this action is covered extensively and then spoken about again and again by different characters. When one of his schoolmates picks up the local paper, “There on the front page was a large photograph of Mark, smiling uneasily with Mam’s arm round him and a big grin on her face.” While Mark’s actions and the ensuing excitement have their place in the overall narrative, it is not a particularly engaging incident for the reader. Nor are many of the events that follow, such as when Mark receives an award at school for his bravery. (Mark is told of the badge he receives, as if it were not obvious, “It’s awarded for special achievements.”) Still, as Mark’s world constantly changes, readers will be curious to see where he will ultimately wind up.
This unique hero takes the story to dangerous places, both in England and abroad.Pub Date: Sept. 1, 2024
ISBN: 9798333378040
Page Count: 398
Publisher: Self
Review Posted Online: March 4, 2025
Review Program: Kirkus Indie
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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