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DANCING WITH PANTHERS

This unique hero takes the story to dangerous places, both in England and abroad.

A gay English youth comes of age in the 1960s in Nochtree’s novel.

England, 1961: Mark Martin is a teenager who lives with his mother. Mark’s current situation is summed up thusly: “He hated his life, he hated the flat, he hated this city, he hated his school, he hated his mother. He hated himself.” Mark is attracted to other boys; considering the laws and social norms of the time, he does not exactly go around announcing this. One day, while in town, he learns of a local pub where gay men hang out called The Vault. When Mark is offered a fiver there for sex, he accepts. (Five pounds is a lot of money in his world and he enjoys the sex, so why not?) Mark winds up doing this regularly and becomes attached to one of the patrons, who goes by the name Pip. He also gets a part-time job at the nearby Frank’s Fish’n’Chips. (Frank’s does not pay as much as sex work, but it gives Mark a cover for his newfound income.) Through Frank’s, he meets a boy named Tommy, and Tommy and Mark become secret boyfriends. Eventually, Pip gets Mark a job at the car dealership that he runs. Pip and Mark form their own lasting relationship. As Mark manages to balance school, Tommy, Pip, and the occasional inquiries of his mother, things seem to be going well. But disaster soon strikes: After an incident with another rent boy, Mark sees no other option but to flee the country with Pip.

Mark is hardly the typical hero for a narrative that, in the second half of the book, morphs into something of an adventure story as he ventures far from home with a man who may or may not be trustworthy (though it is established early on that Pip is involved with business somewhere around Indonesia, the nature of this business is kept a secret). The first half of the story is chock-full of inviting tension—most of this comes from Mark’s chosen profession. How long can he keep up the life of a secret sex worker? But as sticky as Mark’s problems are, the story does have its share of dull moments. Mark puts out a fire at Frank’s before it can spread and destroy the whole building; this action is covered extensively and then spoken about again and again by different characters. When one of his schoolmates picks up the local paper, “There on the front page was a large photograph of Mark, smiling uneasily with Mam’s arm round him and a big grin on her face.” While Mark’s actions and the ensuing excitement have their place in the overall narrative, it is not a particularly engaging incident for the reader. Nor are many of the events that follow, such as when Mark receives an award at school for his bravery. (Mark is told of the badge he receives, as if it were not obvious, “It’s awarded for special achievements.”) Still, as Mark’s world constantly changes, readers will be curious to see where he will ultimately wind up.

This unique hero takes the story to dangerous places, both in England and abroad.

Pub Date: Sept. 1, 2024

ISBN: 9798333378040

Page Count: 398

Publisher: Self

Review Posted Online: March 4, 2025

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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  • New York Times Bestseller

A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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