Next book

HOW I GOT THIS WAY

Bucolic essayist McManus (The Good Samaritan Strikes Again, 1992, etc.) pops out of the tall timber to present his ninth gathering of lies and giggles from field and stream. The usual crew of supporting characters—Retch Sweeney, Rancid Crabtree and wife Bun, as well as a phalanx of Sasquatches— provides backup while McManus sings his old sweet song of silliness. He's still got it, if you want it—and you probably do if you ever dreamed of attending an elk hunters' banquet, smelled a hen house, or been bitten by a bug. The author has met all sorts, from George Bush to a kingfisher who left him a farewell note. Indeed, not since Professor Robert Benchley went beak to beak with a pigeon has a writer had such a meaningful relationship with a bird. Between wistful autobiographical reports, our mountain Montaigne fires off a few worthy aphorisms in his debriefings from the field. ``The older something is,'' he muses, ``the more it is valued, people being the only exception.'' Another piece of philosophy (written about a dog, not an erstwhile president): ``Nothing improves character so much as death.'' The thrust of the author's body of work, of course, is spectacular lack of accomplishment in any fresh air activity, and the present collection continues the pattern. This is McManus as his cadre of fans knows him, and perhaps it's too much to ask the nostalgic woodsman to beat a path to new territory. Regular readers will be pleased to meet the hapless Clown of the Wild Frontier once again. Trepid, vincible, domitable, and predictable as the seasons, Pat McManus is still the funniest guy in a flannel shirt.

Pub Date: Sept. 1, 1994

ISBN: 0-8050-3481-1

Page Count: 240

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview