Unabashedly didactic, but moving nonetheless.

JUMPED IN

A slacker learns life lessons from a slam-poet classmate in an inspiring if overly optimistic school story.

Grunge-rock devotee Sam has been trying to avoid the attention of teachers and other students ever since his mom left town two years earlier. Then the equally quiet Luis Cárdenas arrives in Sam’s English class, and meddlesome Ms. Cassidy seats the two of them together. Rumors fly about Luis: His brother is an infamous gangster, and there is a mean-looking scar on Luis’ neck. Sam doesn’t see Luis’ true colors until Ms. Cassidy announces that the class will have a poetry slam. Luis not only throws himself into creating a poem, he inspires Sam to do the same. The boys’ sudden, unmitigated enthusiasm for a school project may be hard to swallow, but there is something infectiously hopeful in Luis’ devotion to poetry, as well as in the inspiration Sam takes from old footage of Kurt Cobain. When Luis disappears after a gang fight, Sam, once a loner, teams up with classmates, teachers, neighbors and old friends to find out what has happened. Short, punchy sentences, paragraphs and chapters give the novel’s prose a sense of motion, and Luis’ poems, interspersed with the narrative, give readers added insight into Luis’ character.

Unabashedly didactic, but moving nonetheless. (Fiction. 12-16)

Pub Date: Aug. 27, 2013

ISBN: 978-0-8050-9514-2

Page Count: 304

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: May 29, 2013

Kirkus Reviews Issue: June 15, 2013

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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