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SEEKERS

A compelling story of rebellion, survival, and the perseverance of Irish culture.

In this historical novel, Kelly tells a story of Irish oppression during the Industrial Revolution.

The story begins in 1864 in Dublin, Ireland, with Superintendent Ryan discovering someone going through the files of the Dublin Metropolitan Police. The snoop turns out to be John Mallon, an up-and-coming detective who is investigating the Irish Republican Brotherhood (IRB). The narrative focuses the Fenian movement and its fight against English oppression, which fails; among the rebels is William Kelly. Despite its failure, the Rising strengthens the Irish Nationalist cause. The story focuses on young John Kelly, a relative of William Kelly, who is fascinated by the machinery at Donaghy’s Mill Shoe Factory. John develops a talent for repairing complex machines, which sets him apart—he becomes a sought-after “Mr. Fix-it” and earns respect among his peers. Meanwhile, William Kelly is served a court summons, causing John to reflect on the barriers faced by Irish workers, including restricted access to bank loans and business opportunities. His idea of an “Irish Bank” emerges—a vision of economic independence to challenge the English-controlled financial system. He later proposes this idea to Red, a member of the IRB, who introduces John to Samuel Leary, a New York investment banker, and Clint O’Hanna from Clan na Gael, an American organization supporting Irish nationalism. He also reconnects with childhood friend, Margaret. Their partnership is portrayed as both romantic and pragmatic, with shared dreams of building a future together. This sparks interest in emigration to America, where opportunities for someone with John’s skills may be more accessible. He uses his connections with the IRB to evade British forces as he and Margaret sneak onto a ship headed for America. When they arrive in Philadelphia, they begin to carve out a new life together as John further develops his mechanical skills to become a respected member of his community and Margaret demonstrates her own resourcefulness and adaptability. John is able to impress factory owner Mr. McCormack, and this interaction highlights the opportunities for skilled workers in America—as well as a source of labor exploitation.

Kelly effectively conveys the story of Irish oppression during the period using the life of John Kelly as the vehicle. While the focus is on the larger political themes of the era, chapters that focus on John Kelly’s life events, such as his and Margaret’s wedding day, put the narrative of his personal life at the forefront. The author highlights the stakes of the loss of Irish culture by referencing Irish traditions: “Take the salt, put some on your tongue, then eat your oatmeal. It will ward off evil spirits. I had a neighbor boy take a bowl and shaker to John. It only works if you both do it at the same time.” While Kelly goes into great detail describing John using his mechanical prowess to repair factory machines, this can sometimes slow the pace of the story. Happily, these are contrasted by other exciting scenes, such as when William Kelly is summoned to a lineup or when John Kelly is making his way to the small barge boat that will take him to Philadelphia. This section in particular creates great tension for readers as the narration is repeatedly interrupted by his anxious thoughts.

A compelling story of rebellion, survival, and the perseverance of Irish culture.

Pub Date: Nov. 15, 2024

ISBN: 9798393819446

Page Count: 380

Publisher: Self

Review Posted Online: Jan. 6, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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