Incomplete but lovely nonetheless. Admirers of Fermor’s writing will not be disappointed.
A posthumous completion of an adventure British author and adventurer Fermor (1915–2011) began more than 70 years ago: a walk from Holland to Istanbul.
In 1933, then 18, “Paddy” Fermor—the subject of co-editor Artemis Cooper’s biography Patrick Leigh Fermor: An Adventure (2013)—set out on that long trek. As he recounted in A Time of Gifts (1977) and Between the Woods and the Water (1986), both written half a century later, he encountered all sorts of people, not least of them the Nazis and nationalists who would soon set Europe aflame, whereupon Fermor began a guerrilla life that James Bond would have envied. When he died, he left behind bits and pieces of this closing volume. Why he never completed it is a mystery; as Cooper and co-editor Colin Thubron observe, “The problem remained obscure even to him, and The Broken Road is only its partial resolution.” On reading it, one wishes that Fermor, a fluent and supremely literate writer, had spent more time in closure; the book seems a touch unfinished and not quite up to its predecessors. Even so, he is in fine form as he travels from the Iron Gates of Bulgaria toward his destination, meeting a succession of beguiling women and, as ever, being in the right place at the right time. As readers will learn, the title of the book is just right; and if Fermor encountered endless obstacles as well, his enthusiasm for description and discovery remain undiminished, as he recounts the ethnographic and historical details of life in the Balkans: “When their crust of frowning aloofness is broken, and their guard down and the maddening banter lulled, they are often spontaneous, enthusiastic and—despite the opposite intention—extremely naïve and transparently innocent”; “Brandy in large quantities pumped in a fresh impetus, which was hardly needed by this time, and we danced and sang.”
Incomplete but lovely nonetheless. Admirers of Fermor’s writing will not be disappointed.Pub Date: March 4, 2014
ISBN: 978-1-59017-754-9
Page Count: 384
Publisher: New York Review Books
Review Posted Online: Jan. 8, 2014
Kirkus Reviews Issue: Jan. 15, 2014
BOOK REVIEW
BOOK REVIEW
PROFILES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
