McGrath carries on his winning streak in the short horror novel form (Spider, 1990; The Grotesque, 1989; Blood and Water and Other Tales, 1987). Dr. Haggard's disease is sexual passion, and the story of its ravages is told in flashback as the crippled hero pieces it out to the heroine's son James, an RAF pilot. It is late-30's London, with WW II looming, and overworked and deeply exhausted young internist Edward Haggard is learning to cut under the tutelage of top surgeon Vincent Cushing and senior pathologist Ratcliff Vaughan. At a party, Haggard receives a silent smile from Vaughan's wife, Fanny, and is at once obsessed by her—as, indeed, she must be with him. Before long they have secret meetings at the Two Eagles pub and many a sexual rendezvous in his digs. McGrath charts the deepening of their adulterous passion in the same fine spirit used by modern masters of obsession, from the Japanese to Nabokov, and while this delights, it also brings on dÇjÖ vu. As becomes inevitable in the disease of passion, Edward and Fanny's affair forms a boil that fate must lance. Pathologist Ratcliff, smelling of Formalin and human rot when he comes to his wife's bed, plays the mythic emotional icicle until in rage he pushes Edward down a flight of steps, breaking Edward's hip. The hip is bolted together with a metal piece Edward names ``Spike,'' and Spike's pain leads Edward into lasting morphine addiction, costs him his role in surgery, and demotes him to general practice. Then Fanny comes down with nephritis.... Meanwhile, James becomes an angel in Spitfires, and quite literally his dead mothers's embodiment.... An unbearably memorable ending lifts this to classic level while the thin bright nerves of the storyline are padded with magnificent surgical detail, hospital lore, and moods you can rub your finger down.
Pub Date: May 1, 1993
ISBN: 0-671-72733-8
Page Count: 192
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
Gutsy stories from one of our most fearless writers.
Characters from the fringes of society grapple with desire and fury in this collection of short stories.
Early on in “The Pull,” a story about a young swimmer from a war-torn country, the narrator describes her childhood as the “kind of story that makes your chest grow tight as you listen.” The stories here are exactly that kind: insistently visceral, pushing into, and past, the reader’s comfort zone. Many of the stories center erotic experiences. In “The Garden of Earthly Delights,” Bosch works in a modern-day fish processing plant, and he finds boundless pleasure in the arms of a young male co-worker. In “Cusp,” a teenage girl smuggles drugs into a local prison and shares her body with the prisoners as a way of being closer to her incarcerated brother. But if these stories teach us about lust, they also flip to the other side of that same coin: These are narratives full of deep rage. Some of this rage takes place inside of intimate relationships, as in “A Woman Signifying,” in which the protagonist deliberately burns her face against a radiator to create a “symbol” of her anger at her lover. Sometimes this rage is social, as in “Drive Through,” about an encounter with a panhandler at a McDonald’s drive-thru. Yuknavitch (The Misfit’s Manifesto, 2017, etc.) keeps readers’ heads pressed against what is hardest to see, and this doesn’t always land. Some of the rage can feel self-righteous; some of the desire pushes deep into taboo and veers toward unpalatable. But where there are risks, there are rewards, and these howls from the throats of women, queer characters, the impoverished, and the addicted remind us of the beauty and pain of our shared humanity.
Gutsy stories from one of our most fearless writers.Pub Date: Feb. 4, 2020
ISBN: 978-0-525-53487-7
Page Count: 208
Publisher: Riverhead
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
PERSPECTIVES
A daring concept not so daringly developed.
In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.
Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.
A daring concept not so daringly developed.Pub Date: April 21, 2020
ISBN: 978-0-525-42976-0
Page Count: 432
Publisher: Viking
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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