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THE FUTURE WAS COLOR

Ambitious, perspicacious, and humane.

Nathan’s novel begins as the story of a semicloseted gay screenwriter in 1950s Hollywood, but the scope grows to encompass issues of identity, social mores, and the survival of humankind.

The dense first 100 pages recount a 1956 turning point in George Curtis’ life. Aware of his otherness, the gay, Hungarian-born Jewish émigré tries to keep a low profile, away from the Hollywood limelight. Then the Hungarian uprising against the USSR compels him to write a serious political/philosophical essay. Leaving his studio job scripting B movies, he takes refuge at the glamorous mansion of a married but sexually predatory pair of movie stars. George’s sardonic wit—tinged with nostalgia, loneliness, and loss—sets a moody noir tone as drugs, sex, and Cold War paranoia of nuclear dimensions rock his previously buttoned-up life. Suddenly the narration shifts to New York City in 1944. Sixteen-year-old George arrives as a parentless refugee. The roots of his adult tendencies—his capacity to reinvent himself as needed, the double life he maintains as a homosexual, his fear of his capacity for deep affection, his (or the author’s) tendency to pontificate about concepts like the ethics of destruction—become evident, and readers realize with surprise that the George who was so apparently jaded in California was not yet 30 years old. Poor and uneducated, adolescent George thrusts himself into Manhattan’s bohemian world of artists and writers. He thrives until a combination of misfortunes, including a tragic love affair, forces his escape to California. Now hopscotching past California, the narration picks up in late-20th-century Paris, where 40-year-old George has moved and, for a while, achieved a satisfying life. Though George struggles as a gay man and an immigrant, the message here is that the fear of loneliness and annihilation are universal and existential while happiness and love, however fleeting, are available to all.

Ambitious, perspicacious, and humane.

Pub Date: June 4, 2024

ISBN: 9781640096240

Page Count: 224

Publisher: Counterpoint

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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SWAN SONG

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

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A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.

Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

Pub Date: June 11, 2024

ISBN: 9780316258876

Page Count: 384

Publisher: Little, Brown

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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