Game after game recounted in detail—loving to some, interminable to others. You know which you are.
A story by a baseball fan for baseball fans—but you really, really have to be one.
The author of three well-received naval technothrillers (H.M.S. Unseen, 1999, etc.) throws a change-up here, delivering the tale of a father and son hopelessly in thrall “to the beloved game.” The Fabers, Ben and Jack, are hardscrabble Louisiana sugarcane farmers. What sustains them year after enervating year is Jack’s blazing talent, the care and feeding of it. The boy can flat out pitch. Almost from the time he could walk, he could throw—harder and straighter than any kid anywhere near his age. At 12, he had “the oil-smooth action of a major leaguer.” Now 20, he’s an authentic college star en route, as the story opens, to play in New England’s prestigious Cape Marlin summer league, where scouts from “the Bigs” are known to hover. Much rides on Jack’s strong right arm—a major-league career the only shot the Fabers have ever had at leaving poverty behind them. His quality fastball and above-average curve stand him in good stead at Cape Marlin, but it’s the slider, the unhittable slider, painstakingly taught him by his dad, that makes Jack special. It starts out as a fastball, and then—too late for batters to adjust—it sheds velocity, dips, and frustrates. Jack, however, has a tenuous relationship with his quirky weapon. He doesn't quite trust it, regards it as potentially subversive, likely to betray him at some critical juncture in his life. And, nudged along by a truly malevolent coach, it does. Can Jack recover it, master it? Of course he can. In this determinedly sunny book, the pure in heart can be counted on to triumph—in the ninth.
Game after game recounted in detail—loving to some, interminable to others. You know which you are.Pub Date: Aug. 2, 2002
ISBN: 0-06-051026-9
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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