by Patrick W. Andersen ‧ RELEASE DATE: Sept. 22, 2017
An inventive and gripping work of historical fiction focusing on Jesus.
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Jesus embarks on youthful adventures and deals with family expectations before discovering his divine mission in this debut novel.
Joseph is a wealthy builder living north of Jerusalem in the first century, accustomed to making necessary compromises as a Jew living under the Roman occupation of Israel. But he has high hopes that his first-born son, James, will one day become an important holy man, even the high priest of the Temple, and help re-establish Israel’s spiritual independence from its oppressors. Meanwhile, Joseph intends for his second-born son, Jesus, a rambunctiously mischievous 12-year-old at the start of the story, to eventually take over the family business and marry. Andersen imaginatively conjures a dramatic chronicle of Jesus’ upbringing before his ministry, a gradual process that follows his youthful introduction to Buddhist meditation and a fateful communication from God after he encounters his cousin John boldly baptizing new disciples. While being baptized himself, Jesus is finally given his divine assignment from God, a continuation of the work of John: “John has reminded the people to fear me. That is an important first step, and his name will be remembered for countless generations as one of my prophets. Now for the next step, I want you to remind them to love me.” But as Jesus’ teaching attracts greater attention and disciples, Roman leaders pursue the man who proposes an authority even greater than their own. In addition, violence threatens to erupt and swallow the Jewish population whole as radical insurgents intent on overthrowing Roman rule plan to strike. Andersen vividly depicts the political and theological cleavages in Jerusalem created by Roman tyranny—a Jewish people turned against themselves. The author is particularly strong dramatizing the religious devastation wrought by despotism—James considers his most dangerous adversaries to be the Sadducees, members of a sect that sacrificed its spiritual integrity by bribing its tormentors for political gain. Jesus’ preaching is intelligently situated within this historical context with notable narrative subtlety and scholarly authenticity, a primarily spiritual program with significant political ramifications. The highlight of Andersen’s fictional rendering, though, is the reconstruction of Jesus’ family life, a provocative departure from the more traditional scriptural version. In this retelling, James is the one whose divinely ordained future is foretold by prophecy, while the story of Jesus’ beginnings in Immaculate Conception is exchanged for a more quotidian, mortal birth. In fact, Jesus seems an unlikely choice as a child to become a historically significant martyr—he evinces no shortage of boldness but also a great deficit of both gravity and prudence. Considering the son of God as an impetuous adolescent who is regularly bailed out of jams by his affluent father takes not only deep reserves of fictional creativity, but also authorial courage. Andersen’s prose is unfailingly clear—if sometimes bloodless and earnest. The entire story is presented as a series of shifting perspectives—readers are treated to not only Jesus’ evolving understanding of himself, but also the interpretations of his family members, a kaleidoscopic narrative artfully consolidated into a coherent whole.
An inventive and gripping work of historical fiction focusing on Jesus.Pub Date: Sept. 22, 2017
ISBN: 978-1-64082-543-7
Page Count: 382
Publisher: Page Publishing, Inc.
Review Posted Online: April 10, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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