A long, bumpy ride, though Wilmot’s rage and passion are palpable.
The chaotic coups, counter-coups and underground revolutions of an oil-rich West African nation, related in roiling prose.
Wilmot’s debut, set in the mythical nation of Niagra, is a broad satire on both arrogant African dictators and American interlopers who’ve come to exploit the political instability and poverty of its people. General Daudu, the nation’s leader and chief tormenter, was trained at Fort Bragg, where he was so seduced by country music that he’s banned political Afropop singers like Fela Kuti and forced all stations to play the likes of Toby Keith and Lee Ann Womack. (He erected a statue of Elvis in the heart of the country as well.) But the American invasion isn’t just cultural: The likes of the Burton Holly Corporation and Green and Branch are eager to cut deals to drill—and control Niagra’s political fate—both before and after Daudu is removed from power in a bloodless “khaki revolution” led by a renegade army officer. Though there are plenty of comic swipes at U.S.-led globalization, Wilmot’s clearly written this story with his teeth clenched in anger: The book is partly dedicated to executed Nigerian writer Ken Saro-Wiwa, and Wilmot’s best-drawn characters are similarly concerned with human rights—and similarly victims of circumstance. Rabiu Nafiu, the son of a viciously punitive judge, is defiantly outspoken in a host of underground newspapers; Bob Marley, a stunningly talented young artist, is also tragically buffeted by the constantly shifting political sands. Their stories might be more affecting, though, if Wilmot had better organized his tale. The story is maddeningly digressive and overstuffed, built on cascades of run-on sentences, poorly signaled shifts in time and overly detailed histories of minor characters. The messiness doesn’t wreck the book entirely—the decentralized feel is actually fitting given the subject matter—but both the humor and the tragedy could cut more cleanly.
A long, bumpy ride, though Wilmot’s rage and passion are palpable.Pub Date: Aug. 28, 2006
ISBN: 0-312-34263-2
Page Count: 400
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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