Duke tells the story of her manic-depressive illness and its successful treatment, while in alternating chapters medical-writer Hochman (Heart Bypass, 1982) explains the facts of the disease and the methods of treatment currently available. Duke's strange and unhappy childhood was chronicled in Call Me Anna, and is touched on here only to show how fundamentally unloved and rejected she felt. Her manic-depressive disorder began to manifest itself when she was a young woman living in Hollywood, at the peak of her career, starring in The Patty Duke Show. As the illness escalated, her life degenerated into frequent suicide attempts, drug dependency, wrecked relationships, tantrums on the set. She began hallucinating and engaging in bizarre behavior like holding parties in her motel room for hordes of strangers (one of whom she married after a few hours' acquaintance) and hiring two guys she met in a parking lot to manage her finances (with results that can be imagined). Finally, her illness was diagnosed and successfully treated with lithium, which she takes to this day and to which, she says, she owes her present stable, happy marriage and her very life. Hochman provides information on the various forms of depression and the various guises that bipolar (manic-depressive) illness can take, identifies people at risk for these diseases, discusses the link between manic-depressive disorder and creativity, and surveys medical treatments and family-support techniques that can help the sufferer. The tone seesaws between the lurid and the dry, depending on whether Duke or Hochman is writing. But despite its gracelessness, this memoir has merit: Duke shows bravery in telling her story in all its humiliating flagrance, and undoubtedly sufferers from this puzzling and devastating disease will find help in the explanations and resources Hochman diligently provides.
Pub Date: June 22, 1992
ISBN: 0-553-07256-0
Page Count: 320
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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