by Paul Bowles ‧ RELEASE DATE: Jan. 1, 1994
``Places have always been more important to me than people,'' Bowles (b. 1910) confesses in one of more than 400 letters collected here by Miller. Spanning more than seven decades, the letters offer no intimate revelations and little celebrity gossip- -but they're full of dazzling descriptions of faraway places. ``At Asni the trees are full of peacocks that scream murder. The road swarms with children who hand us amethysts till we have nowhere to put them.'' With campy wit, Bowles compares the exotic to the homegrown mundane: In a Saharan oasis, the coarse grass ``looks like the stuff they put in Woolworth's windows on the floor of the display cases at Easter time''; in a Berber village, ``the streets and walls look as if someone had poured tons of white cake- icing over them.'' It's not surprising, then, that Bowles-the- writer's letters add up to a book that one would rather quote than discuss. What is surprising is the strength of Bowles-the- composer's devotion to Berber music and Bowles-the-husband's devotion to his wife through long years of illness. Descended from New England Puritans, Bowles read Poe at age six and took off from there. In the 30's, he was close to Gertrude Stein and Aaron Copland. In the 50's, he befriended Tennessee Williams, Truman Capote, and Gore Vidal. In his pursuit of sexual adventure and his reliance on the drug kif, he was way ahead of the pack—led by Ginsberg and Burroughs—that hit Tangier in the 60's. More recently, Ph.D. candidates have elicited from him pithy statements on writing (on the hermetic absorption needed to complete a novel: ``Don't let the air in; it kills the fetus''). About a quarter of the collection is dead wood—chat about agents, contracts, fees—but read in one sitting, it's a fascinating, tonic history of the counterculture in what was for a time the American century. (Photographs)
Pub Date: Jan. 1, 1994
ISBN: 0-374-18510-7
Page Count: 624
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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