An impressively synoptic introduction to a socio-economically significant problem.
An analytical critique of the American prison system coupled with practical strategies to reduce incarceration rates.
The United States has more than 2 million prisoners, proportionately six times that of Europe. The financial costs of keeping so many behind bars are onerously high—$60 billion to $70 billion annually—and also impose steep costs on African-American and Latino communities, which are affected by the long-term absences of fathers, husbands, and providers. To make matters worse, Brakke (Fixing the U.S. Criminal Justice System, 2017, etc.) contends, such high incarceration rates don’t necessarily translate into fewer violent crimes, which occur at higher rates here than in Europe. The author begins his exploration of the problem by supplying a concise history of its origins: a nationwide uptick in crime in the 1960s and its sensationalist coverage by the media inspired politicians to hyperbolically demonstrate their toughness on crime. Even after violent crime diminished in the ’90s, the strong attitude of “public punitiveness” never fully abated. Brakke compares the prison system of the United States to several international alternatives as he looks into possible ways to reduce incarceration and recidivism. He also looks at places within the United States that have achieved some degree of success in these areas, such as New York City and the state of Oregon. The book provides a surfeit of practical solutions, including shifting the correctional emphasis from punishment to rehabilitation, curbing prosecutors’ zeal by converting their elected positions into appointments, and providing more job and literacy training to prisoners. Brakke covers much of this ground in his previous book on the criminal justice system, but the discussion of recidivism is much more extensive here, and the comparative study of prison systems is eye-opening. The author, who’s politically conservative, has a tendency to discuss liberals with too broad a partisan brush—a practice that belies the general empirical rigor of the book. Still, this is a remarkably comprehensive work given its brevity, argued with clarity and incisiveness.
An impressively synoptic introduction to a socio-economically significant problem.Pub Date: Jan. 10, 2018
ISBN: 978-1-947466-37-1
Page Count: 226
Publisher: American Leadership Books
Review Posted Online: Jan. 18, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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