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THE COSTLY U.S. PRISON SYSTEM

TOO COSTLY IN DOLLARS, NATIONAL PRESTIGE, AND LIVES

An impressively synoptic introduction to a socio-economically significant problem.

An analytical critique of the American prison system coupled with practical strategies to reduce incarceration rates.

The United States has more than 2 million prisoners, proportionately six times that of Europe. The financial costs of keeping so many behind bars are onerously high—$60 billion to $70 billion annually—and also impose steep costs on African-American and Latino communities, which are affected by the long-term absences of fathers, husbands, and providers. To make matters worse, Brakke (Fixing the U.S. Criminal Justice System, 2017, etc.) contends, such high incarceration rates don’t necessarily translate into fewer violent crimes, which occur at higher rates here than in Europe. The author begins his exploration of the problem by supplying a concise history of its origins: a nationwide uptick in crime in the 1960s and its sensationalist coverage by the media inspired politicians to hyperbolically demonstrate their toughness on crime. Even after violent crime diminished in the ’90s, the strong attitude of “public punitiveness” never fully abated. Brakke compares the prison system of the United States to several international alternatives as he looks into possible ways to reduce incarceration and recidivism. He also looks at places within the United States that have achieved some degree of success in these areas, such as New York City and the state of Oregon. The book provides a surfeit of practical solutions, including shifting the correctional emphasis from punishment to rehabilitation, curbing prosecutors’ zeal by converting their elected positions into appointments, and providing more job and literacy training to prisoners. Brakke covers much of this ground in his previous book on the criminal justice system, but the discussion of recidivism is much more extensive here, and the comparative study of prison systems is eye-opening. The author, who’s politically conservative, has a tendency to discuss liberals with too broad a partisan brush—a practice that belies the general empirical rigor of the book. Still, this is a remarkably comprehensive work given its brevity, argued with clarity and incisiveness.

An impressively synoptic introduction to a socio-economically significant problem.

Pub Date: Jan. 10, 2018

ISBN: 978-1-947466-37-1

Page Count: 226

Publisher: American Leadership Books

Review Posted Online: Jan. 18, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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