Brisk and bright, yet subtle in its message.
What can little creatures do to protect themselves from the forest bully?
The scary Snorklum, who has long tan fur and striped purple horns, is so worried about getting to his cave before dark that his crinkly whiskers begin to wibble. He sees Mole standing near a tree and picks him up with thoughts of having a Mole sandwich. Mole’s response to Snorklum’s scary roar is, “Why are your whiskers wibbling…?” Frustrated, Snorklum sticks Mole in his pocket, figuring he’ll eat him later. Down the road, he spies Rabbit and decides that a Rabbit pie would taste better than a Mole sandwich. He tries to scare Rabbit, but the same thing happens; Snorklum stuffs Rabbit into his shoulder bag and continues on his way. Next he encounters Badger (perfect for Badger stew), but he just can’t scare him either. Snorklum does stare the leaves off the trees and make the birds scatter, but the animals just stare at him; they know a secret: “If a scary Snorklum stays out after dark...” With a POOOFFT, the scary Snorklum, with a strangled cry, shrinks to the size of an insect. And no one, not even the birds, is afraid. Chapman’s Snorklum, cousin, perhaps, to Bert Lahr’s Cowardly Lion, is appropriately goofy, and her backgrounds go through many colors, from gold of late afternoon to dark-blue night.
Brisk and bright, yet subtle in its message. (Picture book. 3-6)Pub Date: Oct. 1, 2011
ISBN: 978-1-56148-728-8
Page Count: 32
Publisher: Good Books
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
An unfortunately simplistic delivery of a well-intentioned message.
Drawing on lyrics from her Mormon children’s hymn of the same title, Pearson explores diversity and acceptance in a more secular context.
Addressing people of varying ages, races, origins, and abilities in forced rhymes that omit the original version’s references to Jesus, various speakers describe how they—unlike “some people”—will “show [their] love for” their fellow humans. “If you don’t talk as most people do / some people talk and laugh at you,” a child tells a tongue-tied classmate. “But I won’t! / I won’t! / I’ll talk with you / and giggle too. / That’s how I’ll show my love for you.” Unfortunately, many speakers’ actions feel vague and rather patronizing even as they aim to include and reassure. “I know you bring such interesting things,” a wheelchair user says, welcoming a family “born far, far away” who arrives at the airport; the adults wear Islamic clothing. As pink- and brown-skinned worshipers join a solitary brown-skinned person who somehow “[doesn’t] pray as some people pray” on a church pew, a smiling, pink-skinned worshiper’s declaration that “we’re all, I see, one family” raises echoes of the problematic assertion, “I don’t see color.” The speakers’ exclamations of “But I won’t!” after noting others’ prejudiced behavior reads more as self-congratulation than promise of inclusion. Sanders’ geometric, doll-like human figures are cheery but stiff, and the text’s bold, uppercase typeface switches jarringly to cursive for the refrain, “That’s how I’ll show my love for you.” Characters’ complexions include paper-white, yellow, pink, and brown.
An unfortunately simplistic delivery of a well-intentioned message. (Picture book. 4-6)Pub Date: March 17, 2020
ISBN: 978-1-4236-5395-0
Page Count: 32
Publisher: Gibbs Smith
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
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