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SECRETS

A WRITER IN THE COLD WAR

In Francis Ford Coppola's The Godfather, Part III, Michael Corleone says of the Mafia, which he is trying to leave, ``Every time I think I'm out, they pull me back in.'' Such is the experience of the New Yorker's Brodeur (The Great Power-Line Cover- Up, 1993, etc.), who joined the American intelligence community shortly after WW II. Brodeur retired disgusted with the regular extortion, browbeating, and lack of regard for human dignity in their interrogations of suspected spies in divided postwar Germany. Unfortunately, as Brodeur goes on to uncover the environmental threats that made him famous (asbestos, microwave radiation, etc.), he finds the military-industrial complex cropping up again and again, with old associates turning up to spy on him under the guise of friendship. While much of Secrets concerns Brodeur's discoveries of the scandals about which he has written, he also turns the lens on himself, using his novelist's flair for allegory to include bits about his personal secrets—an older brother whose existence his father had kept from him, his own two-year-old son's death from choking, his broken first marriage. While this information gives an insight into Brodeur that we haven't had before, the writer is still strongest when exposing the powers that be, whether it is CIA involvement in covert operations all over the globe since the Eisenhower administration, giving special attention to those areas we know less about, such as the Congo or Indonesia, or whether it's J. Edgar Hoover's destruction of the life of actress Jean Seberg, who committed suicide over her support of the Black Panthers. Brodeur covers postCold War America with a broad indictment of Justice Department foul-ups in Ruby Ridge, Waco, and the Olympic bombing in Atlanta. Sexagenarian Brodeur has produced a retrospective that proves his writing can still pack a punch.

Pub Date: April 29, 1997

ISBN: 0-571-19907-0

Page Count: 360

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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