A welcome addition to any philhellenic library by a reliable, readable interpreter of the ancient past.
Eminent classicist Cartledge examines the history, mythical and proven, of an ancient Greek city that is often overlooked in standard texts.
Located in the province of Boeotia, Thebes was “almost continuously inhabited for five millennia, at one point the most powerful city in all ancient Greece.” It was unusual in having been founded, in legend, by a non-Greek, a refugee from what is now Palestine named Cadmus, who sowed a slain dragon’s teeth on the city site and harvested a mighty army. Cadmus, the legend continues, married Harmonia, the child of an adulterous affair between the god of war and the goddess of love, to unhappy result: “the near-total (metaphorical, moral) ruin of Thebes and frequent disasters for their mortal descendants.” In real life, Thebes was too close to Athens for comfort, and Athens often waged war against Thebes as a result. It was also relatively close to Sparta, Corinth, and other sometime rivals and sometime allies, and it was in the path of the invading Persians during the reign of Xerxes, when Theban soldiers died nobly alongside Spartans and Athenians at Thermopylae. In the pivotal fifth century B.C.E., writes Cartledge, “mainland Greek history can be seen as playing out within the frame of the fateful Thebes–Athens–Sparta triangle.” The Thebes of history too often suffered loss. Against this, writes the author, stands the Thebes of myth, with an equally unhappy history: It was the home of Oedipus and Electra, yielding what is widely considered the best of all the Greek tragedies, Sophocles’ cycle of Theban plays. Thebes was also the home of the musician Pronomus, who “was the first to be able to play the three harmonies or modes known ethnically as the Dorian, the Phrygian, and the Lydian on one and the same, enhanced (double) aulos.” The cultural contributions were many, but all the same Thebes was overshadowed, and Cartledge’s well-paced, illuminating survey shows why that should not be the case.
A welcome addition to any philhellenic library by a reliable, readable interpreter of the ancient past.Pub Date: Sept. 22, 2020
ISBN: 978-1-4683-1606-3
Page Count: 320
Publisher: Abrams
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A well-rendered cowboy tale that fleshes out a larger history of the Old West.
The life of a Texas cowboy who ranged the wild frontier paints a broader picture of bygone times in the American West.
Charlie Siringo (1855-1928) herded cattle and drove livestock to slaughter, learning his cowboy skills from the age of 12. In this lively and detailed account, Ward, author of The Lost Detective and Dark Harbor, creates “a portrait of the American West through which he traveled as such a compelling witness—from the birth of the cattle trail and railroad cow town to the violence of the mining wars and the Wild Bunch’s long last ride.” Siringo captured the era in what is considered to be the first cowboy autobiography, A Texas Cowboy; or Fifteen Years on the Hurricane Deck of a Spanish Pony (1885), "a work of celebration and mourning for the raucous cowboy life that was ending." Ward devotes just as many chapters to Siringo's later career as a detective, going undercover "to track, befriend and betray" criminals ranging from anarchist bombers to Butch Cassidy. The author also recounts the tangled publishing history of Siringo's memoir A Cowboy Detective (1912), its editions repeatedly quashed due to nondisclosure agreements with the agency that employed him. Ward's consideration of his subject as a working cowboy quickly broadens into that of Siringo as a literary figure whose many books included a life of Billy the Kid, whom he knew well. Siringo was also well appreciated as a "font of authenticity" on cowboy lore during his work as a consultant on Western films in Hollywood in his later years. Illustrations, vintage photos, and maps throughout the text add atmosphere and context to this stirring, multivaried life. If Ward doesn't quite prove that Siringo helped create the foundations of the literature of the American West, he shows that this original cowboy certainly lived out the most fertile period of that time and place.
A well-rendered cowboy tale that fleshes out a larger history of the Old West.Pub Date: Sept. 5, 2023
ISBN: 9780802162083
Page Count: 368
Publisher: Atlantic Monthly
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
BOOK REVIEW
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