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THE LOST DETECTIVE

BECOMING DASHIELL HAMMETT

A jaunty narrative for Hammett and hard-boiled fans only.

Dashiell Hammett (1894-1961), private eye.

Journalist and former American Heritage editor Ward (Dark Harbor: The War for the New York Waterfront, 2011, etc.) began this lively, but ultimately slight, book with a single question: how did Hammett transform himself “from Pinkerton operative to master of the American detective story”? The many biographies of Hammett (Ward cites a few in his bibliography) failed to answer his question, so he set out on his own investigation. Unfortunately, finding little evidence of Hammett’s years working for the Pinkerton National Detective Agency, Ward often guesses what Hammett might have felt, done, or thought. Although he speculates, for example, that “doing his scores of operative reports” honed Hammett’s ability to write pithy narratives, none of those reports are in the Pinkerton archive at the Library of Congress. Ward can only deduce what they might have contained from other operatives’ work. Other information about the Pinkerton years came from Hammett researcher and journalist David Fechheimer, who tracked down operatives who had known Hammett. Ward also closely reads Hammett’s detective stories for clues. Since none of his early writing has survived, however, even Hammett’s motivation to become a writer is shrouded in mystery. What is clear was his inability to continue to work for Pinkerton because he was weak, and often bedridden, from tuberculosis contracted during World War I. With a wife and children to support, Fechheimer suggests, “he would have done whatever he had to do to make a buck.” “Down the years,” writes Ward, “Hammett must have wondered what might have happened had he gone on chasing crooks for the agency; whether, once he had run out his string as an operative, he could have settled into a desk job bossing younger detectives.” Or maybe not. Ward ends the biography in 1935, when Hammett was famous, celebrated, and usually drunk.

A jaunty narrative for Hammett and hard-boiled fans only.

Pub Date: Sept. 15, 2015

ISBN: 978-0-8027-7640-2

Page Count: 240

Publisher: Bloomsbury

Review Posted Online: April 20, 2015

Kirkus Reviews Issue: May 15, 2015

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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