A lucid, illuminating history of the epicenter of organized crime in America.

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DARK HARBOR

THE WAR FOR THE NEW YORK WATERFRONT

Former American Heritage editor Ward reveals the seedy history of the old New York waterfront, a brutal, dangerous environment ruled by corrupt union officials and the mob.

The author focuses on New York Sun investigative reporter Mike Johnson’s Pulitzer-winning series of articles in 1948, which uncovered the graft and terror tactics that characterized life on the docks. These tactics ultimately brought down International Longshoremen’s Association “president for Life” Joseph Ryan and improved conditions for the embattled workers. Packed with colorful characters including the murderous thug “Cockeye” Dunn, fearsome “Tough Tony” Anastasio, dapper Abe “Kid Twist” Reles and Charlie “The Jew” Yanowsky (who was ice-picked to death), the book reads like classic noir. Beleaguered laborers marinate in dirty saloons, murders abound, death threats fly and the nation is forced to reckon with the reality of organized crime as sensational TV government hearings drag the dirty business into the light. Arthur Miller was inspired by the murder of a reform-seeking longshoreman to write a screenplay about the milieu. More famously, writer Budd Schulberg’s take on the issue became the classic Marlon Brando film On the Waterfront (1954), whose principal characters and situations were inspired by actual people and events. Ward’s most engaging characters are the tough, streetwise priest John Corridan, a plain-talking rabble-rouser who courageously walked the docks and agitated for justice—Karl Malden memorably played the figure based on Corridan in Waterfront—and the congenitally crooked union boss Joe Ryan, a blustery operator who hid his misdeeds behind a smokescreen of anti-communist rhetoric. The author deftly marshals vast amounts of research to tell his story, including original interviews with players from the era, and he richly evokes the atmosphere of mid-century New York.

A lucid, illuminating history of the epicenter of organized crime in America.

Pub Date: June 15, 2010

ISBN: 978-0-374-28622-4

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: April 1, 2010

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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