A welcome addition to any philhellenic library by a reliable, readable interpreter of the ancient past.
Eminent classicist Cartledge examines the history, mythical and proven, of an ancient Greek city that is often overlooked in standard texts.
Located in the province of Boeotia, Thebes was “almost continuously inhabited for five millennia, at one point the most powerful city in all ancient Greece.” It was unusual in having been founded, in legend, by a non-Greek, a refugee from what is now Palestine named Cadmus, who sowed a slain dragon’s teeth on the city site and harvested a mighty army. Cadmus, the legend continues, married Harmonia, the child of an adulterous affair between the god of war and the goddess of love, to unhappy result: “the near-total (metaphorical, moral) ruin of Thebes and frequent disasters for their mortal descendants.” In real life, Thebes was too close to Athens for comfort, and Athens often waged war against Thebes as a result. It was also relatively close to Sparta, Corinth, and other sometime rivals and sometime allies, and it was in the path of the invading Persians during the reign of Xerxes, when Theban soldiers died nobly alongside Spartans and Athenians at Thermopylae. In the pivotal fifth century B.C.E., writes Cartledge, “mainland Greek history can be seen as playing out within the frame of the fateful Thebes–Athens–Sparta triangle.” The Thebes of history too often suffered loss. Against this, writes the author, stands the Thebes of myth, with an equally unhappy history: It was the home of Oedipus and Electra, yielding what is widely considered the best of all the Greek tragedies, Sophocles’ cycle of Theban plays. Thebes was also the home of the musician Pronomus, who “was the first to be able to play the three harmonies or modes known ethnically as the Dorian, the Phrygian, and the Lydian on one and the same, enhanced (double) aulos.” The cultural contributions were many, but all the same Thebes was overshadowed, and Cartledge’s well-paced, illuminating survey shows why that should not be the case.
A welcome addition to any philhellenic library by a reliable, readable interpreter of the ancient past.Pub Date: Sept. 22, 2020
ISBN: 978-1-4683-1606-3
Page Count: 320
Publisher: Abrams
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Despite the whopping length, there's not a wasted word in this superb, swiftly moving narrative, which brings new and...
A great, troubled, and, it seems, overlooked president receives his due from the Pulitzer-winning historian/biographer McCullough (Truman, 1992, etc.).
John Adams, to gauge by the letters and diaries from which McCullough liberally quotes, did not exactly go out of his way to assume a leadership role in the tumultuous years of the American Revolution, though he was always “ambitious to excel.” Neither, however, did he shy from what he perceived to be a divinely inspired historical necessity; he took considerable personal risks in spreading the American colonists’ rebellion across his native Massachusetts. Adams gained an admirable reputation for fearlessness and for devotion not only to his cause but also to his beloved wife Abigail. After the Revolution, though he was quick to yield to the rebellion's military leader, George Washington, part of the reason that the New England states enjoyed influence in a government dominated by Virginians was the force of Adams's character. His lifelong nemesis, who tested that character in many ways, was also one of his greatest friends: Thomas Jefferson, who differed from Adams in almost every important respect. McCullough depicts Jefferson as lazy, a spendthrift, always in debt and always in trouble, whereas Adams never rested and never spent a penny without good reason, a holdover from the comparative poverty of his youth. Despite their sometimes vicious political battles (in a bafflingly complex environment that McCullough carefully deconstructs), the two shared a love of books, learning, and revolutionary idealism, and it is one of those wonderful symmetries of history that both died on the same day, the 50th anniversary of the signing of the Declaration of Independence. While McCullough never misses an episode in Adams's long and often troubled life, he includes enough biographical material on Jefferson that this can be considered two biographies for the price of one—which explains some of its portliness.
Despite the whopping length, there's not a wasted word in this superb, swiftly moving narrative, which brings new and overdue honor to a Founding Father.Pub Date: May 1, 2001
ISBN: 0-684-81363-7
Page Count: 736
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
IN THE NEWS
PERSPECTIVES
Filled with illuminating anecdotes, the collection is as entertaining as it is informative.
How women have lived, loved, and survived through the ages.
Hirsch makes an engaging book debut with a feminist chronicle of women’s lives from prehistoric times to the present. Focusing on women in the Western Hemisphere, the author presents 101 artifacts, featured in full-page illustrations, about which she offers richly detailed but succinct essays, smoothly translated by Updegraff. All of the objects, Hirsch explains, “have a bearing on women—the body, sex, love, work, art, politics” and “bear witness to the movements women instigated, and to all the myths to which they’ve been forced to conform since time immemorial.” The idiosyncratic compendium begins with a healed femur bone from 30,000 B.C., which has significant anthropological meaning; while other injured animals would die of starvation or be eaten by predators, human healing indicates caring—particularly, Hirsch argues, by grandmothers, who raised children while their daughters hunted with their sons and who “watched patiently over the injured until their bones had healed.” The author profiles iconoclasts, including novelist George Sand, represented by a replica of her right arm; Sojourner Truth, represented by a coin bearing her famous speech “Ain’t I a Woman”; mythological figures Isis and Athena, represented by a statuette owned by Freud; and other famous personalities, such as Greta Garbo, whose ballpoint pen represents “the influence not just of women who acted but also of women scriptwriters”: In the 1930s and ’40s, women on screen “were sassy, strong-willed, brave, sometimes even bad; they were incredibly quick-witted and didn’t take anything lying down.” Hirsch delves into popular culture (Aretha Franklin, Kim Kardashian), leadership (Golda Meir), philosophy (Hannah Arendt), fashion (perfumed gloves, metal corsets), and various women’s protest movements: suffrage, abolition, labor, and politics, including the iconic pussyhat from 2017.
Filled with illuminating anecdotes, the collection is as entertaining as it is informative.Pub Date: March 5, 2024
ISBN: 9780593728758
Page Count: 432
Publisher: Crown
Review Posted Online: Jan. 4, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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