by Paul Chaderjian ‧ RELEASE DATE: Dec. 7, 2018
An engaging, fragmentary tale about longing and memory.
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An Armenian immigrant’s Hollywood dreams run up against American realities in this debut novel.
Beirut, 1975. As the Lebanese civil war rages outside his window, 10-year-old Armenian Adam Terzian composes fan letters to his favorite movie star, Barbra Streisand. “At night in my bed and I cannot sleep because there are bombs,” writes Adam to the star of the film What’s Up, Doc? "I am scared. Then I think of you and Mister Ryan O’Neal going backwards down the hill on a bicycle….I laugh and laugh. You are very funny. Then I can sleep. I forget about the bombs and that I am going to die.” His family is eventually able to immigrate to Fresno, California, where Adam grows up as an outsider obsessed with American music and movies. He’s able to attend film school in Los Angeles, though he still carries a fear of violence left over from the trauma of the war. Adam does his best to break into Hollywood, working low-prestige industry jobs and pecking away at his scripts at night, but his dreams of becoming a celebrated director keep failing to materialize. Finally, at 32, he takes a journalism job at Horizon, the English-language magazine of the Armenian diaspora, published by his own father. Horizon sends Adam to Yerevan for a story on the new “style” of post–Soviet Armenia, but what he finds is Eve Kalashyan, a talented singer. She is quickly building a fan base in the Armenian world. Adam joins Eve on tour to cover her for the magazine, but will she prove just as aloof and distant as Streisand was all those years ago? Leaping across multiple timelines—1970s Beirut, ’90s LA, even a future city known as the Metropolis in 2308—the tale shows the development of a would-be artist against the obstacles of war, history, commercialism, and the isolation of a diaspora.
Chaderjian’s prose hews closely to Adam, deftly capturing the nuances of his ambitions and emotions, as here when he lands his first minor job at a film studio: “He is now on their team, Team Hollywood. He is eating with them, walking their studio lots, taking a piss in the same bathrooms. Who would have imagined that he, Adam Terzian, could be on the payroll of a major Hollywood studio? But he is. He is alive. He is young. And he can dream.” The novel is divided into short chapters that leap unpredictably through time, offering vignettes of Adam’s life at different ages. These accumulate into a portrait of an archetypical immigrant with dreams of telling his own story, even as that tale is tied up in the thorny history of the Armenian people. Though Adam’s unanswered fan letters to Streisand are a recurring element in the narrative—he continues to send them into adulthood—the actor is not much of a presence. Instead, she becomes a sort of totem for Adam’s aspirations, a dream of success and artistry that continues to elude him. The author never quite delves as deeply into these ideas as the novel wants him to, but the structure and themes keep the book feeling exciting and relevant.
An engaging, fragmentary tale about longing and memory.Pub Date: Dec. 7, 2018
ISBN: 978-0-578-46103-8
Page Count: 428
Publisher: Meshag Publishing
Review Posted Online: May 25, 2022
Kirkus Reviews Issue: July 1, 2022
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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