Chutkow weaves a tender, detail-rich story of how kindness and faith in the inherent goodness of an animal can turn a...




A heartwarming tale of a street dog from India and her faithful human companions.

Journalist Chutkow (VISA: The Power of an Idea, 2001, etc.) opens a door into his personal life as he narrates the charming story of Zelda, the Indian scavenger dog. Befriending a scruffy street dog was one of the last things on the author’s mind while working as an AP journalist in India under Indira Gandhi’s rule. However, this ragamuffin “monster” and “trollop” of a dog wheedled her way into the Chutkow’s life. She became a steadfast companion to the author, his wife and newborn son through her “boundless courage, humor and high spirits.” When Chutkow was reassigned to Paris, Zelda followed. Parisians turned their nose up at the little urchin, but the author leaned on Zelda’s friendship when his son had several medical emergencies. Interspersed among trips to the hospital are amusing stories of Zelda growing addicted to Camembert cheese, warm croissants and homemade borscht. Eventually, Zelda gained renown in Paris when she helped police apprehend a burglar. Suddenly, she was the “Queen of Paris” and “the very picture of European refinement.” And yet, writes the author, “she remained the high-spirited, impulsive Indian street girl, charming, capricious, and totally untamed, just as she had been born to be. After more than a decade in Paris with luxurious vacations in Sardinia, Chutkow returned to America with his family and Zelda.

Chutkow weaves a tender, detail-rich story of how kindness and faith in the inherent goodness of an animal can turn a vagabond into a loving member of the family.

Pub Date: Oct. 4, 2011

ISBN: 978-0-7627-7147-9

Page Count: 224

Publisher: Lyons Press

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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