Collins (English/Portland State Univ.; The Book of William: How Shakespeare’s First Folio Changed the World, 2010, etc.) unpacks a sensational 1897 murder case that fascinated the public as it played out across the front pages of the New York City’s leading newspapers: Joseph Pulitzer’s New York World and William Randolph Hearst’s New York Journal.
The tabloids would go beyond mere coverage of the story; the white-hot rivalry between the papers led to an astoundingly proactive agenda that saw reporters actually outflanking the police investigation and effectively solving much of the case. After a group of children discovered the ghastly severed trunk of William Guldensuppe, a Turkish bath-house attendant, the rival news organs spared no expense to ferret out the culprits, eventually tracking the purchase of an oilcloth used to wrap the torso to Mrs. Augusta Nack, a German immigrant midwife and rumored back-room abortionist. Guldensuppe had been Nack’s lover before being replaced by Martin Thorn, a hotheaded barber. Things failed to progress smoothly. The manipulative, spider-like Nack and the handsome, violent Thorn are compelling villains, and other players, such as Thorn’s grandstanding lawyer William Howe (a vain, corpulent charlatan of oratory brilliance), the pathetic John Gotha, Thorn’s former friend and the prosecution’s chief witness and the maniacally ambitious Hearst round out a thoroughly engrossing cast of characters. The narrative is wonderfully rich in period detail (readers may gag at the description of the rat-induced stench that filled the courtroom during the trial), salacious facts about the case (Guldensuppe’s killing and dismemberment was a truly heinous crime) and infectious wonder at the chutzpah and inventiveness displayed by Pulitzer’s and Hearst’s minions. Both a gripping true-crime narrative and an astonishing portrait of fin de siècle yellow journalism.
Pub Date: June 14, 2011
ISBN: 978-0-307-59220-0
Page Count: 320
Publisher: Crown
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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