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THE HANGING TREE

Hair-raising descriptions of life in the Middle Ages enhance a challenging puzzle.

In 1382 London, multiple murders surrounding a theft from the king’s treasury provide a dangerous puzzle for a coroner and a monk to solve.

Brother Athelstan, parish priest of St. Erconwald, and Sir John Cranston, Lord High Coroner of London, have partnered to solve many a murky mystery, but few have been as troublesome as the theft of the money meant to pay a royal debt to Italian bankers and the murders surrounding it. Exchequer of Coin Henry Beaumont, who’s tasked with removing funds from the impregnable Flambard’s Tower, arrives there to find all his underlings dead and the treasure gone. When Master Thibault, Keeper of the King’s Secrets, calls upon the sleuthing pair to discover how the murders were committed and the coin stolen, they proceed to examine the tower and the bodies. They also look into the murders of the hangmen of London in search of possible connections. Athelstan finds more and more people dead, even one in his own parish church. The Italian bankers, who are naturally suspect, blame the Carbonari, a society of thieves, but after examining every avenue, Athelstan is sure this must have been an inside job. The little monk travels the squalid, dangerous streets looking for clues and finds the answer even more horrifying than he could imagine.

Hair-raising descriptions of life in the Middle Ages enhance a challenging puzzle.

Pub Date: June 7, 2022

ISBN: 978-1-78029-139-0

Page Count: 224

Publisher: Severn House

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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MUSIC AGAINST THE NIGHT

From the Nocturne Trilogy series , Vol. 1

A virtuoso performance from Li. Brava!

“What can a miserable man and a miserable woman do for each other?” Li illustrates how two Romantic era musicians navigated such a relationship.

An unusually placed coda serves as a prelude, not a conclusion, to Li’s recreation of the tumultuous lives of musicians Adelaide Percheron and John Field. Adelaide, an Indian-born orphan of mixed racial heritage, has just learned of the death of her estranged husband, John—credited with the development of the nocturne as a musical form—after years of living separately and pursuing their individual artistic passions. Following that intriguing introduction is an insightful account of the indirect paths each took to survive challenging early years and to advance in the world of music. John was born in Dublin in 1782 into a family of Irish musicians who invested heavily in his musical training, hoping to produce “the next Mozart” despite the talented boy’s sensitive and dreamy nature. The precocious and preternaturally self-possessed Adelaide learns the rudiments of the pianoforte from a governess and strategic life lessons from her grandmother. Eventually, she sets out from Pondicherry for the broader opportunities she believes await her in her father’s native France. Against a background of social upheaval across Europe due to revolutions and Napoleon’s rising power, the two grow and mature in musicality and pursue the lives they’ve imagined for themselves. John and Adelaide have just met, in 1807 Moscow, as this volume ends, leaving the door open for Li to explore their relationship in future installments. Peppered with interludes and glances into the future, Li’s novel explores both the modern commodification of music and the value of art as a means of ensuring immortality, a hedge against the “night” that falls when a life ends. Her keen psychological study of the musicians and their muses delivers the themes elegantly.

A virtuoso performance from Li. Brava!

Pub Date: Oct. 13, 2026

ISBN: 9780374613051

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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