A welcome contribution to a growing body of serious but not solemn work about The Fabs before and after, the cute bassist in...
“The world’s most famous living Liverpudlian” speaks.
McCartney has never been shy of speaking his mind. Here, he opens up, repeatedly and over several decades, to longtime NME correspondent and founding Mojo editor Du Noyer (Deaf School: The Non-Stop Pop Art Punk Rock Party, 2013, etc.) on all manner of topics, not least of them “the world’s most famous dead Liverpudlian,” he being, of course, fellow Beatle John Lennon. Sir Paul’s not just a Beatle, though he will go to his grave with that designation first and foremost. To judge by Du Noyer’s portrait, he is the cheeky and cheerful fellow of popular depiction, though he is also deeply thoughtful and capable of self-criticism, if not always very trenchant. Since Lennon’s murder 36 years ago, McCartney has labored to rebuild his image as the lite-pop Beatle against Lennon’s rocker, and here his conversations sometimes turn to such things as his Little Richard shout and penchant for blistering rockers like “Helter Skelter.” There are surprises aplenty for Beatles casualists; who knew that Linda sang the highest of the high notes on “Let It Be”? Du Noyer’s book has a slightly slapped-together feel, as if raw material for a more cohesive biography in times to come, but for all that, it contains bits and pieces that are suggestive and illuminating. At one point, McCartney recounts, for instance, being stuck in writing the song that would become “Drive My Car,” which well illustrates his thesis that the whole business of songwriting involves “some kind of mystery as to whether you’re going to pull it off.” Happily, Du Noyer concentrates on the substantive in these conversations, which are both thematically and chronologically arranged, avoiding celebrity fluff to get into the meat—beg pardon, Sir Paul being a vocal vegetarian and all—of his work.
A welcome contribution to a growing body of serious but not solemn work about The Fabs before and after, the cute bassist in particular.Pub Date: Oct. 1, 2016
ISBN: 978-1-4683-1340-6
Page Count: 352
Publisher: Overlook
Review Posted Online: July 30, 2016
Kirkus Reviews Issue: Aug. 15, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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