A welcome contribution to a growing body of serious but not solemn work about The Fabs before and after, the cute bassist in...
“The world’s most famous living Liverpudlian” speaks.
McCartney has never been shy of speaking his mind. Here, he opens up, repeatedly and over several decades, to longtime NME correspondent and founding Mojo editor Du Noyer (Deaf School: The Non-Stop Pop Art Punk Rock Party, 2013, etc.) on all manner of topics, not least of them “the world’s most famous dead Liverpudlian,” he being, of course, fellow Beatle John Lennon. Sir Paul’s not just a Beatle, though he will go to his grave with that designation first and foremost. To judge by Du Noyer’s portrait, he is the cheeky and cheerful fellow of popular depiction, though he is also deeply thoughtful and capable of self-criticism, if not always very trenchant. Since Lennon’s murder 36 years ago, McCartney has labored to rebuild his image as the lite-pop Beatle against Lennon’s rocker, and here his conversations sometimes turn to such things as his Little Richard shout and penchant for blistering rockers like “Helter Skelter.” There are surprises aplenty for Beatles casualists; who knew that Linda sang the highest of the high notes on “Let It Be”? Du Noyer’s book has a slightly slapped-together feel, as if raw material for a more cohesive biography in times to come, but for all that, it contains bits and pieces that are suggestive and illuminating. At one point, McCartney recounts, for instance, being stuck in writing the song that would become “Drive My Car,” which well illustrates his thesis that the whole business of songwriting involves “some kind of mystery as to whether you’re going to pull it off.” Happily, Du Noyer concentrates on the substantive in these conversations, which are both thematically and chronologically arranged, avoiding celebrity fluff to get into the meat—beg pardon, Sir Paul being a vocal vegetarian and all—of his work.
A welcome contribution to a growing body of serious but not solemn work about The Fabs before and after, the cute bassist in particular.Pub Date: Oct. 1, 2016
ISBN: 978-1-4683-1340-6
Page Count: 352
Publisher: Overlook
Review Posted Online: July 30, 2016
Kirkus Reviews Issue: Aug. 15, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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