A husband-and-wife team faithfully conveys the vitality of New York City and its subway system—100 years old this year—in this lyrical offering. Here, the subway is the city’s lifeblood; its tunnels are veins and the subway car “[a] mama’s belly.” Onomatopoeia is used effectively to convey subway sounds: “[A] light in the dark, / a floating star, / squeak and squeal and screech to the stop,” as a train pulls in to the station. A diverse group of riders enters and exits in one of Alko’s vibrant, full-bleed spreads, “a bit of the world in every car.” Bits of mixed-media collage—textured fabric for a young girl’s dress, a newspaper tucked under another rider’s arm—add visual interest and depth. Familiar announcements incorporated into the verse (“Stand clear of the closing doors”) lend authenticity as the trains go to Yankee Stadium, Times Square, or Coney Island. A happy ride around town. (Picture book. 4-8)
Pub Date: Sept. 1, 2004
ISBN: 1-58685-357-0
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
Part of a spate of books intent on bringing the garbage collectors in children’s lives a little closer, this almost matches...
Listeners will quickly take up the percussive chorus—“Dump it in, smash it down, drive around the Trashy town! Is the trash truck full yet? NO”—as they follow burly Mr. Gilly, the garbage collector, on his rounds from park to pizza parlor and beyond.
Flinging cans and baskets around with ease, Mr. Gilly dances happily through streetscapes depicted with loud colors and large, blocky shapes; after a climactic visit to the dump, he roars home for a sudsy bath.
Part of a spate of books intent on bringing the garbage collectors in children’s lives a little closer, this almost matches Eve Merriam’s Bam Bam Bam (1995), also illustrated by Yaccarino, for sheer verbal and visual volume. (Picture book. 5-7)Pub Date: April 30, 1999
ISBN: 0-06-027139-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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