From literary historian Fussell (The Angi-Egotist, 1994; Wartime 1989; etc.), a lugubrious, frequently self-pitying account, relieved by flashes of wit, of how he evolved from a happy-go-lucky Southern California innocent into the vinegary cynic and intellectual snob he is now. Born in 1924, Fussell lived a privileged, even idyllic boyhood in Pasadena as the son of a distinguished local attorney. His principal interests were printing, photography, and magic. His innocence was unrelieved by his years at Pomona College, where he discovered literature, particularly the works of H.L. Mencken, whose acerbic and baroque contempt for America seems to have permanently marked Fussell's outlook. Neither Pomona nor Mencken was ideal preparation for his grueling WW II induction into the army and service in Company F of the 410th Infantry, 103rd Division. Combat was even more dehumanizing; here, as elsewhere, Fussell writes graphically and with simple eloquence of the disfiguring effects of combat on the body, mind, and soul of soldiers. On March 15, 1945, Fussell was severely wounded by shrapnel from a shell that killed the two men with him, and he spent considerable time experiencing the horrors of army hospital life. Annoyingly, Fussell can't help comparing all life experiences to a book he's read or a movie he's seen; he compares his field hospital to a scene in Gone With the Wind. Mustered out, he resolved to resist falsehood and cant, and after earning his Harvard doctorate, he bravely waged war on the sensibilities of the young "girl-children" of the Connecticut College for Women, whom he routinely reduced to "tears and tantrums." He moved on to despise the students at Rutgers University, whom he calls "moronic." Fussell treats the reader to a running commentary on his books and essays, venting iconoclastic views on war, culture, and other subjects along the way. Unpleasant in many ways, but valuable, as are other of Fussell's works, for a forthright portrayal of war's horrors and lasting ill effects.
Pub Date: Oct. 4, 1996
ISBN: 0-316-29717-8
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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