illustrated by Paul Galdone ‧ RELEASE DATE: March 18, 1985
A Galdone-illustrated folktale can be counted on for visual thrust and expression, but in recent years those Galdone trademarks have become perfunctory. Here, slapdash diagonals of heaped straw do for dynamic vitality, and the miller's daughter with her oversized sad eyes is unattractively and one-dimensionally formless. Without seeming to try, Galdone can point up his story with a subtle detail (the ring of keys in the king's hand) or a sideways glance (a gloating one from the dandily dressed dwarf on the title page; a sinister one from the jewelery-laden king). But this is a garish, overbearing sort of expressiveness. Certainly these pictures will project to storyhour crowds, but they are all blare and no echo.
Pub Date: March 18, 1985
ISBN: 0395525993
Page Count: 32
Publisher: Clarion Books
Review Posted Online: April 25, 2012
Kirkus Reviews Issue: Feb. 15, 1985
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by Joanna C. Galdone & illustrated by Paul Galdone
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Roald Dahl illustrated by Quentin Blake ‧ RELEASE DATE: Oct. 1, 1988
After some autobiographical excursions, Dahl here returns to the sort of whimsically grotesque fantasy that makes grown-ups wince and children beg for more. His heroine is five-year-old Matilda, a genius whose mathematical abilities, as well as her impressive reading list (Hemingway, Steinbeck, etc.), are totally unappreciated by her father—a dishonest used-car salesman—and her mother, a devotee of bingo and TV soaps. Only when the girl enters school does she find an understanding ally, Miss Honey, a paragon of virtue who attempts to defend her pupils against unbelievably cruel headmistress Miss Trunchbull, who hates children in direct proportion to their youth and tortures them accordingly. Just when things seem to be at their worst, Matilda discovers still another gift, telekinesis, enabling her to defeat the horrible Trunchbull and give Miss Honey, and herself, a new start. Dahl's tightly woven plots, his strict sense of absolute justice, and his raunchy "funny bits" make him popular with children who also appreciate the empowerment he grants to his smaller, weaker protagonists. Matilda is the most simplistic of his efforts in this direction, but it does retain the time-honored appeal, abetted by Blake's apt illustrations. It probably should be marked "For Children Only," though. And Dahl slips badly when he says that C.S. Lewis and J.R.R. Tolkien have no "funny bits" in their books.
Pub Date: Oct. 1, 1988
ISBN: 0142410373
Page Count: 240
Publisher: Viking
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1988
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by Quentin Blake ; illustrated by Quentin Blake
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developed by Roald Dahl ; illustrated by Quentin Blake
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