RED HAWK'S ACCOUNT OF CUSTER'S LAST BATTLE

Painted-robe figures charge across spacious white pages as Red Hawk, a stand-in for those who were there, tells of the Battle of Little Bighorn: "Why had the soldiers come to kill us? I was only a boy and did not understand but I felt like a man and I did not care whether I lived or died." The "why," such as it was, is provided at the outset; italicized insertions explain what "Red Hawk" would not have known or thought to tell. As a dramatized reconstruction this has immediate visual and narrative impact but beyond the event there lingers a sense of honor (those who "say that the soldiers were drunk" or cowardly were not there, "I never saw such brave men") and particularly of pride mingled with regret: "We won a great victory. But when you look about you today you can see that it meant little. The White Men, who were then few, have spread over the earth like fallen leaves driven before the wind." From the picture map on the title page to the lists of sources and suggested readings, an unusual volume that is at once handsome, stirring and historically anchored (and thus worth the trouble of being unusual).

Pub Date: Sept. 8, 1970

ISBN: 080327033X

Page Count: 59

Publisher: Pantheon

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1970

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A festive invitation to creative liberation.

BEAUTIFUL OOPS!

A pleasingly tactile exploration of the possibilities inherent in mistakes.

"A torn piece of paper... / is just the beginning!" Spills, folded paper, drips of paint, smudges and smears—they "all can make magic appear." An increasingly complex series of scenarios celebrates random accidents, encouraging artistic experimentation rather than discouragement. The folded-over paper can be a penguin's head; a torn piece of newsprint can turn into a smiling dog with a little application of paint; a hot-chocolate stain can become a bog for a frog. Thanks to a telescoping pop-up, a hole is filled with nearly limitless possibilities. The interactive elements work beautifully with the photo-collaged "mistakes," never overwhelming the intent with showiness. Saltzberg's trademark cartoon animals provide a sweetly childlike counterpoint to the artful scribbles and smears of gloppy paint.

A festive invitation to creative liberation. (Pop-up. 4-12)

Pub Date: Sept. 23, 2010

ISBN: 978-0-7611-5728-1

Page Count: 28

Publisher: Workman

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Dec. 1, 2010

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A rich source of terrors both real and manufactured, equally effective in broad daylight or beneath the bedcovers.

DON'T READ THIS BOOK BEFORE BED

THRILLS, CHILLS, AND HAUNTINGLY TRUE STORIES

A compendium of paranormal doings, natural horrors, and eerie wonders worldwide and (in several senses) beyond.

Maladroit title aside (“…in Bed” would make more sense, cautionwise), this collection of hauntings, cryptids, natural and historical mysteries, and general titillation (“Vampire bats might be coming for you!”) offers a broad array of reasons to stay wide awake. Arranged in no discernible order the 60-plus entries include ghostly sightings in the White House and various castles, body-burrowing guinea worms, the Nazca lines of Peru, Mothman and Nessie, the hastily abandoned city of Pripyat (which, thanks to the Chernobyl disaster, may be habitable again…in 24,000 years), monarch-butterfly migrations, and diverse rains of fish, frogs, fireballs, and unidentified slime. Each is presented in a busy whirl of narrative blocks, photos, graphics, side comments, and arbitrary “Fright-O-Meter” ratings (Paris’ “Creepy Catacombs” earn just a “4” out of 10 and black holes a “3,” but the aforementioned aerial amphibians a full “10”). The headers tend toward the lurid: “Jelly From Space,” “Zombie Ants,” “Mongolian Death Worm.” Claybourne sprinkles multiple-choice pop quizzes throughout for changes of pace.

A rich source of terrors both real and manufactured, equally effective in broad daylight or beneath the bedcovers. (Nonfiction. 9-12)

Pub Date: Aug. 1, 2017

ISBN: 978-1-4263-2841-1

Page Count: 144

Publisher: National Geographic

Review Posted Online: May 15, 2017

Kirkus Reviews Issue: June 1, 2017

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