by Paul Greenbaum ‧ RELEASE DATE: May 28, 2016
A lovely and loving tribute to a special dog and, by extension, to all special dogs. And what dog isn’t?
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The author, a Portland-based chiropractor and acupuncturist, writes about his healing relationship with a rescue dog.
Greenbaum (The Road to Peace Runs Through the Valley of Death, 2016, etc.) not only knows dogs; he knows how to write about them. Specifically, about his relationship with Dobie, a Rottweiler/Doberman mix. “Vicious,” as Dobie is originally named, is a badly neglected, 5-month-old pup foisted on the author by a friend. Not only was he not looking for a new dog, he certainly wasn’t looking for this one. “I had no desire for a Doberman, as they tend to be high-strung and hyper-nervous,” he writes. “I like the earthy, happy-go-lucky personalities of hunting dogs.” Heeding some unknowable inner voice, Greenbaum adopts her. Dobie’s physical problems (malnutrition, etc.) are easily fixed; not so her emotional scars. But one day, as he watches her sleep, “a strange, unfamiliar sentiment moved in my breast. It was that wordless contract a parent makes when he gazes upon his sleeping baby….I made a vow to care for her for the rest of her life.” That life is long, but as is true of all dogs, not long enough. Greenbaum recounts many of their adventures—nothing earth-shattering, just the usual stuff about hikes, a cross-country move, people coming in and out of their lives, etc. All too soon, he is writing about the aging Dobie, the trips to the vet, the final terrible, inevitable decision to put her down. Still, what the book is mostly about is affirmation—affirmation of that ineffable bond between humans and animals. Greenbaum readily acknowledges the widely held notion that people love pets because they provide unconditional love. But even more important, he notes, is the absolute need we humans have to give love: “Without even knowing there was a lesson, she taught that the exchange of love is the true joy and purpose of living.” This is a slim, unpretentious book that will have a hard time finding a place in an already overcrowded genre. But bred-in-the-bone (so to speak) dog people will find it worth seeking out.
A lovely and loving tribute to a special dog and, by extension, to all special dogs. And what dog isn’t?Pub Date: May 28, 2016
ISBN: 978-0-9796483-0-4
Page Count: 136
Publisher: Healing from the Heart Publications
Review Posted Online: Jan. 23, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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