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THE SLEEPWALKERS

A solid thriller set amid riveting historical events in the seedy underbelly of a city—and a world—slowly going mad.

In Grossman’s debut novel, a Jewish cop in 1932 Berlin hunts the perpetrators of a grotesque crime, against a backdrop of political turmoil.

Willi Kraus, the cop famous for catching the infamous Kinderfresser child murderer some years back, is called to a riverside crime scene on the outskirts of Berlin. The body of a young woman has washed up, and she’s been mutilated—someone has expertly grafted the bones in her calves on backwards. But before the investigation into this bizarre crime can begin, Willi receives another assignment, this time from President Hindenburg. A Bulgarian princess has gone missing while visiting Berlin, "sleepwalking" (in the words of the doorman at her hotel) into the night, and Willi is to drop everything and find her. Willi decides it’s too much of a coincidence that the somnambulant princess went to see the Great Gustave’s hypnotism act at a nightclub the evening she disappeared. When Gustave’s name comes up in the case of the dead girl, and after Willi and his loyal assistant find evidence of dozens of girls sleepwalking away into the ether in recently years, Willi is convinced that Gustave is hypnotizing girls with great legs, and sending them off into the hands of some evil master orthopedic surgeon. Meanwhile, Willi has become entangled with a prostitute named Putzi, the dead girl’s roommate. In order to help avenge her friend’s death, Putzi comes up with a scheme that involves her being hypnotized by Gustave, while Willi and his gadfly journalist friend Fritz follow along. It seems foolproof. But in Berlin in 1932, nothing is certain. Stripped of its setting, this book is a fairly straightforward thriller, but surrounded by the dramatic events of the Nazi rise to power, it takes on added heft and a relentless drive.

A solid thriller set amid riveting historical events in the seedy underbelly of a city—and a world—slowly going mad.

Pub Date: Oct. 1, 2010

ISBN: 978-0-312-60190-4

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Aug. 17, 2010

Kirkus Reviews Issue: Sept. 1, 2010

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THE CHASE

Thin characters, fat plot-holes, sluggish pacing and Cussler’s signature clunky prose.

The smartest shamus on earth tracks the planet’s cleverest lowlife in the latest to roll from the Cussler assembly line (Polar Shift, 2005, etc.).

In 1906, they didn’t come any nastier than the Butcher Bandit, who, when the book opens, has already racked up 38 kills, a goodly number of them women and children. He robs banks, murdering—remorselessly—any unfortunate who happens to be on the premises at the time. So adept at the work is he, we’re told exhaustively, that he’s commonly believed to be uncatchable. Which is why Isaac (“He always gets his man”) Bell of the Van Dorn Detective Agency is assigned the case. But the Butcher Bandit is a slippery one indeed. Not only brilliant, audacious and cold-blooded beyond measure, he is also not the stuff of which bottom-feeders are usually made. For it turns out that the master criminal who has robbed banks all over the Southwest is actually a bank president himself. In San Francisco, the extremely solvent Cromwell Bank is a byword for respectability, its founder and chief executive a pillar of the community. That would be Jacob Cromwell, aka the much sought after Butcher Bandit. So how to explain Cromwell’s deep, dark plunge into criminality? He loves the challenge, he says. There’s also that new word, Bell explains to an understandably puzzled colleague, that psychology professionals are beginning to use: sociopath. At any rate, the game’s afoot, the antagonists perfectly matched, with Cromwell convinced he can rob, kill and elude capture, and Bell promising not to rest “until I capture the man responsible for these hideous crimes.”

Thin characters, fat plot-holes, sluggish pacing and Cussler’s signature clunky prose.

Pub Date: Nov. 6, 2007

ISBN: 978-0-399-15438-6

Page Count: 416

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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SHARP OBJECTS

Piercingly effective and genuinely terrifying.

A savage debut thriller that renders the Electra complex electric, the mother/daughter bond a psychopathic stranglehold.

Camille Preaker is a cutter. At 13, she carved “queasy” above her navel, at 29, “vanish” on her neck. In the intervening years, she etched her entire epidermis from the chin down with cries for help. Entertainment Weekly TV critic Flynn discloses this information 60 pages into her explosive novel; before that, we know Camille as a hard-drinking, good-looking Jimmy Breslin wannabe, sent by a second-tier paper to cover two gruesome killings in her Missouri hometown. Nine-year-old Natalie’s corpse was found jammed between the Cut-n-Curl Beauty Parlor and Bifty’s Hardware nine months after another’s girl’s body was dumped in a creek. The murderer’s grisly signature? Both strangled corpses had their teeth yanked out. As she snoops around, Camille gets hot for a cute detective and anxious in her mother’s house. Haunted by the ghost of her sister, a child felled by mysterious illness, Camille warily befriends half-sister Amma, a snaky Lolita with precociously developed smarts and breasts. Bite-sized Queen of Mean who rules the town’s teens, Amma joins Camille in shuddering at their mother, Aurora, an oh-so-proper virago who pulls down a million dollars a year running a pig slaughterhouse. Mommie Dearest is afflicted with an outré psychological disturbance: She inflicts illness on her loved ones to then prove her sweetness by nursing them. Could she be the slayer? Or perhaps an even more hideous revelation awaits? Flynn delivers a great whodunit, replete with hinting details, telling dialogue, dissembling clues. Better yet, she offers appalling, heartbreaking insight into the darkness of her women’s lives: the Stepford polish of desperate housewives, the backstabbing viciousness of drug-gobbling, sex-for-favors Mean Girls, the simmering rage bound to boil over.

Piercingly effective and genuinely terrifying.

Pub Date: Oct. 10, 2006

ISBN: 0-307-34154-2

Page Count: 272

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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