The portrait of his father is decidedly unpleasant, and Hoffman himself has some jarringly boastful moments, but those who...
A journey into the psyche of champion chess players, accompanied by a personal quest for understanding of a talented but difficult parent.
Introduced to chess by his father when he was only five, Hoffman (Wings of Madness, 2003, etc.) found a refuge in the game during an adolescence marked by family stress. Returning to the game decades later in a period of personal and professional crisis, he found himself fascinated not just by chess itself, but by the inner life of its players. Among the questions he seeks to answer are why chess is so addictive, how the champions handle victory and defeat and why the game is played primarily by men. There’s a bit of chess history and mythology, a brief explanation of the rules and of some opening moves and a side trip into human-vs.-computer competition, but this is primarily a narrative driven by personality. In 2004, Hoffman accompanied grandmasters Joel Lautier and Pascal Charbonneau to international competitions in Moscow and Libya respectively to observe how these men prepared for matches and how they handled winning and losing. A year later, he journeyed to Athens to interview another grandmaster, Nigel Short. The Libyan trip with Lautier, which included nerve-shattering encounters with a police-state bureaucracy, reveals the author’s expertise as a storyteller as well as his own high-amateur competence at the chessboard. Woven together with these forays into the minds of chess professionals are Hoffman’s reminiscences about his father, an extremely manipulative and competitive man, envious of his teenage son’s accomplishments, who once suggested that chess was really a way of working out homo-patricidal impulses.
The portrait of his father is decidedly unpleasant, and Hoffman himself has some jarringly boastful moments, but those who relished Stefan Fatsis’s portrayal of Scrabble junkies (Word Freak, 2001) will find this another fascinating glimpse into a competitive game world filled with quirky and brilliant addicts.Pub Date: Sept. 1, 2007
ISBN: 978-1-4013-0097-5
Page Count: 448
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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